#and then there is the confession scene in episode 10x16

[youchangedmedestiel]

Yes it's in that fucking show!

Dean reacting after seeing the Destiel actors hugging in 10x05:

Also Dean four episodes later:

Me looking at Dean:

Also me: ARE YOU FUCKING KINDING ME? HAVE YOU SEEN THE BOTH OF YOU TOGETHER? HOW INSANE THIS ANGEL MAKES YOU? ARFHJZFIQJFQO! JUST DON'T, JUST STOP! YOU'RE MAKING ME SICK!

[destielgaysex]

okay we (jess and i) have assembled the list of scenes/episodes for the trading cards. if you have any scenes you would like to see, let me know! there is a max of 25 cards so you will have to tell me another card to remove.

Dean Cards 1. hoodie dean 1x12 2. hospital dean 2x01 3. dean smith 4x17 4. 1944 dean 7x12 5. mark of cain dean 9x16 6. confession booth 10x16 7. driving baby 11x04 8. “i need you to see me” 12x22 9. mint condition 14x04

Cas Cards 1. wing shot 4x01 2. the end cas 5x04 3. bench scene 6x20 4. godstiel 7x01 5. biggersons cas 8x21 6. cas stealing angel grace 9x09 7. "bed bugs” 10x09 8. female vessel cas 12x10 9. empty deal 14x08

Destiel 1. cas rebelling 4x22 2. alley way fight 5x18 3. purgatory reunion hug s8 4. mixtape 12x19 5. dean kneeling over dead cas 12x23 6. tombstone 13x06 7. confession scene 15x18

[ambiguousdisorderken]

in your expert opinion what are some of the most destiel-heavy episodes of spn? i stopped watching around season 7 and have no interest in engaging w the plot of the show at all but i’m in the mood for some gay yearning ykwim

Hi anon! Thank you for reaching out to me about this, I’m, no-joke, very flattered. I’d seen a couple posts on this same question, very thorough and detailed lists on Destiel-centric episodes, but at the moment I cannot find any of them, that would’ve answered your request much faster. So, in advance, sorry, my reply is probably coming in extremely late, but I did write this from scratch, so yeah.

Even though storylines in SPN can be very shitty and hollow, I do feel that to get the full Destiel experience -that long-drawn yearning- one would have to watch the entirety of the show, even if Cas isn’t in the episode or if there’s no explicit mention of their relationship/bond because it gives you a better understanding of them as characters and of how their relationship affects the narrative.

Now, you mentioned you stopped around S7, which is completely understandable and justified given the Dick plot game was very weak and, in my opinion, annoying (so little Cas!). I’m going to start listing from S7 in case you want to refresh your SPN before jumping straight into unseen episodes. Also, since you mentioned no interest in the plot and are specifically craving those sweet crumbs of gay yearning, I’ll skip most one-sided / too subtle episodes and cut to the chase.

Lastly, I hate spoiling things, but you’ve probably seen it all on Tumblr. I tried to keep the episodes’ descriptions short, as it might come in useful. Stuck to key words, quotes and/or little comments.

 Season 7

7x01 – Meet the New Boss: Godstiel, sincere apology. Cas: “I'm gonna find some way to redeem myself to you.”

7x02 – Hello, Cruel World: Mourning. Trench coat melancholy. The heart-wrenching eulogy: “Dumb son of a bitch.”

7x17 – The Born-Again Identity: Emmanuel!Cas, reunion, longing, hurt.

7x21 – Reading is Fundamental: Honey!Cas, hug, hurt, reunion, that painful SORRY (board game) scene.

7x23 – Survival of the Fittest: Honey!Cas, forgiveness, adorable, wified Cas. Dean hits us with: “Nobody cares that you're broken, Cas!" but also “I'd rather have you, cursed or not.”

Season 8 (this season is so good and Destiel is the driving motor of it, I swear. If you can, watch it complete.)

8x01 – We Need to Talk About Kevin: Dean in Purgatory looking for the angel.  Cas is referred to as “your [Dean’s] angel.”

8x02 – What’s Up, Tiger Mommy?: HUG!!!, Purgatory reunion, face touch, very romantic. Monster: “ You'll find your angel there.” //  Dean: “Let me bottom-line it for you. I'm not leaving here without you.”

8x05 – Blood Brother: Cas vs. Benny cat fight lol. Dean: “Cas... we're gonna shove your ass back through the eye of that needle if it kills all three of us.”

8x07 – A Little Slice of Kevin: Cas comes back from Purgatory, but before that Dean starts seeing him in places. Very tragic; hallucinating your dead significant other trope. Has That boner scene. Dean: “I did everything I could to get you out! EVERYTHING!” Cas helps Dean see what truly happened in Purgatory and not his self-altered memories. PACKED!

8x08 – Hunteri Heroici: Hilarious, romantic, intimate. Dean and Cas have an heart to heart. They actually communicate. Cas “I’ll watch over you.”

8x10 Torn and Frayed: They work a case together, and when I say heart eyes…

8x17 – Goodbye Stranger: THIS. EPISODE. Dean “I need you.”

8x19 – Taxi Driver: Separation. Naomi to Dean: "You're hoping Castiel will return to you. I admire your loyalty; I only wish he felt the same way."

8x22 – Clip Show: Lack of trust, hurt, tense interactions. Romantic too (basically, Cas gets Dean an apology basket).

8x23 – Sacrifice: Meaningful conversation and a gay couple hit by Cupid parallel. Dean “So this is it? E.T goes home?"

 Season 9

9x01 – I think I’m Gonna Like it Here: Dean prays to Cas IN.A.CHAPEL. Worry, longing, separation. Dean “Please, man, I need you here.”

9x03 – I’m No Angel: Human!Cas and jealous!Dean.

9x06 – Heaven Can’t Wait: Human!Cas TEXT-BOOK LONGING. GAY AS FUCK. Gazing, touching, they even TALK (for real).

9x09 – Holy Terror: Adorable Cas, flirty vibes, happyish, funny. Cas: “Cas is back in town!”

9x10 – Road Trip: Cas comforts Dean, Cas and Crowley bitching at each other, overall protective!Cas.

9x18 – Metafiction. Cas finds out about the Mark of Cain.

9x21 – King of the Damned: Hug, strong boyfriends vibes.

9x22 – Stairway to Heaven: Cas gives up an entire army, for Dean. Metatron about Cas “He's in love………………………. with humanity.”

9x23  – Do You Believe in Miracles?: At this point, it’s canon stated that Cas will do anything and lose everything if that means saving Dean. Metatron to Cas “You draped yourself in the flag of heaven, but ultimately, it was all about saving one human, right?”

 Season 10

10x01 – Black: Demon!Dean and sick/brokenhearted Cas in a slutty robe missing his man.

10x03 – Soul Survivor: ICONIC. Angel on Demon action! Cas turns down Hannah because he’s too gay and in love. Intimate Deancas talk.

10x05 – Fan Fiction: No Cas, but Destiel references. 

10x09 – The Things We Left Behind: That.Lunch.Date. Deancas introduction to co-parenting.

10x14 – The Executioner’s Song: We get Daddy Murder aka Cain. This is a Pivotal episode to understand Dean’s character development. Plus, it has Deancas interactions.

10x16 – Paint It Black: No Cas, but Dean opens up in confessionary; repressed BISEXUAL AS FUCK.

10x18 – Book of the Damned: Charlie meets Cas. Gay energies everywhere. Cute domestic little scene.

10x20 – Angel Heart: PARENTING! Essential to understand Cas from this point forward.

10x22 – The Prisoner: Just… just watch it. One of THEE Destiel episodes.

10x23 – Brother’s Keeper: No Deancas interactions but it’s the finale, and I recommend watching it because next season takes off literally right from here. No time jumps.

 Season 11

11x02 – Form and Void: Could skip to the very end which is when Cas comes back.

11x03 – The Bad Seed: Cursed!Cas. Dean takes care of him, even wraps him in a blanket. He also cradles his face. Extreme Hurt/Comfort. Jacting joices rejoice.

11x10 – The Devil in the Details: Could skip but has Casifer in it. Interesting to see his dynamic with Dean.

11x18 – Hell’s Angel: Casifer. Dean "It? It's not an it, Sam, it's Cas!"

11x23 – Alpha and Omega: Huggg! Cas willing to go on a guaranteed suicide mission with Dean. Very tender and sad.

 Season 12

12x02 – Keep Calm and Carry On: ANOTHER HUG! Dean presents his boyfriend to his mom<3 Soft and romantic.

12x09 – First Blood: Reunion hug<3, Cas pining… as in he counts his every minute without Dean.

12x10 – Lily Sunder Has Some Regrets: Direct parallel with canon couple. Crystal-clear mutual affection. One of the best. Angel Ishim to Cas about Dean “I'm gonna help you. I'm gonna cure you of your human weakness same way I cured my own… by cutting it out.”

12x12 – Stuck in the Middle with You: A dying Cas confesses his love. “I love you. I love all of you.”

12x19 – The Future: We find out Dean gave Cas a MIXTAPE!!! Very romantic and full of yearning, also worry and what could be seen as a betrayal (ish…).

12x23 – All Along the Watch Tower: Hands down, one of the most distressing Destiel episodes. Cas dies.

 Season 13

13x01 – Lost and Found: This is the worst because you have Dean trying to assimilate Cas’ death. Core of Dean’s widow’s arc. Jack introduction, that’s their new kid.

13x02 – The Rising Son: Widow’s arc (you could skip it, but why would you?).

13x03 – Patience: Widow’s arc (you could skip it, but why would you?). Dean to Sam “He manipulated him, he made him promises, said, ‘paradise on earth’ and Cas bought it and you know what that got him? It got him dead! Now you might be able to forget about that, but I can’t!”

13x04 – The Big Empty: Continuation of widow’s arc and Cas wakes up in the Empty. The Empty to Cas: "I know who you love. There's nothing for you back there." // Dean to Sam “I need you to keep the faith, for both of us. ‘Cause right now, I… Right now, I don’t believe in a damn thing.”

13x05 – Advanced Thanatology: Suicidal and hopeless Dean gets his win. Cas comes back. Gives me the chills.

13x06 – Tombstone: COWBOY BOYFRIENDS!

13x14 – Good Intentions: Happy and fun Destiel scene. So Very Married.

13x23 – Let The Good Times Roll: Season finale, Dean talks about retiring (plans include Cas of course) and just very nice to see them interact.

Season 14

14x03 – The Scar: Reunion.

14x08 – Byzantium: Deanand Cas dealing with their child’s death, then bringing him back by Cas making a deal with the Empty. IMPORTANT EPISODE.

14x09 – The Spear: Cas uses the royal We – married behavior.

14x10 – Nihilism: Dean is stuck in his own mind, and Cas and Sam try to bring him back. Cas “Please, you have to -- you have to try to remember, because the people in your life -- in your real life, out there -- we need you to come back.”

14x12 – Prophet and Loss: Dean gets his very own Dr. Sexy, aka Dr. Cas.

14x14 – Ouroboros: Basically another date (their kid tags along) and They TALK. Very intimate and established marriage vibes.

14x18 – Absence: Shits starts to go south. [ Dean: “Who cares what Jack said? We don't know what happened! But I swear, if he did something to her, if she is -- (points to Castiel) Then you're dead to me. (Castiel looks crushed after Dean says that).]

14x20 – Moriah: Tense and very upsetting. Relationship very damaged.

 Season 15 (I would advise watching the entire season because it relies heavily on Destiel. They’re the heart and the emotional motor leading the plot onwards.)

15x01 – Back and To The Future: Deancas’ in the aftermath of their kid’s death. Tension gets worse.

15x02 – Raising Hell: Tension rises, this is very intense. Cas “Dean. You asked, "What about all of this is real?" We are.”

15x03 – The Rupture: Breaking point ends in divorce.

15x06 – Golden Time: Painful phone call which speaks volumes about the current state of their relationship at the time. Also, good to see where they’re standing and how they’re coping.

15x08 – Our Father Who Aren’t in Heaven: Strained relationship so obvious they’re offered couples’ therapy.

15x09 – The Trap: MASTERPIECE. Back to Purgatory. Can (and is) taken as Dean’s love confession (because it is). 

15x12 – Galaxy Brain: So married. Little domestic date, you can see LOVE written in their faces.

15x13 – Destiny’s Child: AU!Dean and Sam. Not a yearning episode per se, but AU!Dean? SO GAY.

15x17 – Unity: God reveals that the only act of free will in any universe he ever created has been Cas choosing Dean.

15x18 – Despair: Cas confesses his love to Dean.

[supertransural]

Dean and his “things, people and feelings” he’s already “experienced differently”.

So here’s a random 4am thought I had. You know how while in the confessional in 10x16, Dean talks about “things, people, feelings” he wants to “experience differently/for the first time”? That confession is literally incoherent if you take a perfectly heterosexual-non-castiel-point of view. It just is. Let me explain why I think that is, and prepare yourself, this is going to be long. 

Let’s say, for argument’s sake, that we’re supposed to understand that conversation the way the priest understands it, that we’re supposed to see Dean the way the priest sees him: as someone who likes to have flings, who cheats, doesn’t commit, etc... basically the character that was introduced to us in the first few seasons/episodes (somewhat). I’m going to be calling that stance the “priest POV”. 

The issue here, is that this is not in fact “the first few seasons/episodes”, this is season 10, Things have happened since then. People have happened. Feelings. Have. Happened. Wether it be in the form of flashbacks or present day events, we’ve seen character development. So let’s start with romantic ones.

1: The first one that comes to mind is Lisa (and Ben). He had a committed, long term, family oriented, white picket fence relationship. It wasn’t just a “I had no other place to go” kinda deal, because once he was somewhat back on his feet, he could’ve pulled a Dean WInchester and left. Except he didn’t. He could’ve cheated. Except he didn’t. He could’ve not opened up or not gotten vulnerable. Except he did. That should already debunk the “priest POV” but let me add on. 

2: Cassie. Dean was insanely vulnerable with her, he loved her, opened up to her about the one big thing he never tells his one night stands, and incidentally was the one who was rejected this time around. He still has feelings about her when he meets her again. 

3: Robin. His first, real girlfriend. With whom he was also in a committed relationship with, which probably would’ve kept on growing if John hadn’t been the usual assh*le that he is, and Dean had had a chance to go to that dance with her. I like to think of her as beta-version-Lisa, and also as the girl who set him on his blazing trail of leaving women after 1 day or 1 week. His dad was the one to rip him away from her, and we know he wanted his son to be the perfect masc, emotionless, order-following, womanizer. And that is exactly what Dean attempts to become, even though this obviously goes against every fiber of his being (see #4).

4: Amanda. Now you may be thinking “but hey! Dean does cheat on her! and it is a short relationship!”. Sure he does, and sure it is, as I said, ever since Robin, he’s trying to be the womanizer his dad wants him to be. But he still lets himself get quite attached to Amanda, as shown by his disdain of the school right after she dumps him in front of everyone. The only reason he liked or tolerated this school wasn’t just “the hot cheerleaders” or whatever, it was Amanda. He wants to put on this mask of “I don’t care about her, I’m a bad boy, I’m just in it for the sex”, but he’s genuinely hurt by what she tells him about his life and how she judges it, and saddened by the breakup. He lets himself get hurt by her. Bear with me, this is important, because we see it happen again with Cassie and then he never lets it get to that point again, simply because of fear and trauma (I think), for example he’s the one to start the conversation about breaking up with Lisa.

Now. What about the “he was just talking about platonic things and feelings and people” possibility. Spoiler alert, it still doesn’t work. 

1: Jo. Otherwise known in my head as beta-version-Charlie, it’s true that Jo is part of those “early seasons” characters, but that only adds to the inconsistency of the “priest POV”. Dean cared intensely about her, some people think of their relationship as romantic, but I really like the “big brother/father/protective” figure idea. Whatever you believe their relationship was, it was profound, I mean he was positively shattered when she died. Again, deep feelings, longterm feelings. 

2: Benny. Like seriously. Dean spent a year in Purgatory with him, saw him as a brother despite the fact he was a vampire, helped him as much as he could while he was having troubles adapting to life on Earth again, protected him through thick and thin, went against his brother for him, against other hunters, against his core beliefs as a hunter himself, just. for. him. If that doesn’t tick all the boxes of things, feelings, people he wants to experience differently for you, then I truly don’t know what to tell you. And then there’s the whole thing with the ship between them, which I somewhat agree with but it isn’t cannon enough for this. 

3: Garth. Yeah, sure, Dean is condescending towards him at first, but he does care about him a lot, and probably doesn’t understand why and how Garth cares about him so quickly, or offers support voluntarily. Garth is a bit of a role model to him, that scrawny, somewhat cringy, little man is better at life than Dean is, and Dean sees that. He’s bothered by it at first, but learns to respect Garth later on, and care about him. He relies on him as a hunter, and kind of as a friend too and he lets him be the new Bobby (which proves a lot of trust grew here) (also, much later on, Dean makes sure he stays out of hunting so Garth can have a happy family life, he also accepts the fact that he’s a werewolf and that his whole family is too). That Also counts as people experienced differently and for the first time. 

4: Kevin. Or as I like to call him, sort-of-beta-version-Jack. Dean feels responsible for him, he jumps into the role of a father figure more than Sam ever does, as much as Sam cares about Kevin too. He is also completely shattered when he dies, like with Jo (which is a bit of the reason why I see Jo and Dean’s relationship as a Big brother-Little sister relationship, the vibe is similar (but not identical) to Kevin and Dean’s). 

5: Jody. Jody is like the mother he never really had growing up. He is vulnerable around her, opens up, she’s basically family. I’m not going to write in Bobby, because he doesn’t count as “new things”, he was effectively his father. Here, Dean lets Jody become a sort of mother to him even though his memory of his mom isn’t as tarnished as his dad’s is. He lets her step into his mom’s sacred shoes. He lets her take care of him in a way. He lets her enter his life and be here for him. New people, new feelings.

6: Charlie. Charlie is his little sister, no doubt about it. She’s his role model, he loves her deeply, he lets himself care about her and feel insanely protective of her. He lets her be Sam #2. He lets himself become a big brother to a new Jo. To a new human. He lets his nerdy side out around her, he learns from her openness about being gay. He is comfortable around her. He is constantly worried about her. New feelings, new people, new things, first time blah blah blah you know the drill by now.

7: Ash. Yes, yes, I know, another “early on” character. But as I said, it keeps on just proving my point. First of all, I firmly believe Dean had a massive crush on Ash but that’s just my interpretation. He respects Ash and looks up to him, he wants to be a bit like him, confident, comfortable in his own life and skin, happy, and he lives in a friggin’ bar for godsakes. He is the epitome of what Dean wants to be at that point in time. He wants to be carefree like Ash is. He thinks Ash is highly intelligent, and has it made. He sees what a happy man can be, one without burdens from “the life”. Ash is a bit like the cooler version of Garth (no offense to Garth of course). Does that count as a role model? I don’t know. But it sure as hell shaped Dean’s hope for what his life could one day be. And Dean cares about Ash deeply as well, he was devastated when he died (he was devastated about the whole Roadhouse burning of course, but it’s clear Ash’s death shakes him quite a bit) and is genuinely happy when he gets to see him again in Heaven, when he sees Ash content and at peace, and the fact that Ash tells him he’ll see him again one day makes him smile (btw thats something I would’ve wanted to see in the finale, but nooooo they simply had to give us a train wreck instead). 

So now that we’ve established those relationships he’s already had before (and I use the term relationship broadly here, it also includes all his friends), I’d like to point something out. There are of course other people he met along the way, other people he saved who inspired him, like the gay couple LARPing as him and Sam, Ellen (beta-version-Jody), in a way Tessa, Layla Rourke, Eileen, to name a few. But I feel as though the ones I cited were the main ones that truly show how shallow the “priest POV” interpretation is.

So where exactly does all this leave us? Well, friends, exactly where I intended it to be. That scene can’t be about potential women being longterm or serious romantic partners because that’s already happened. It can’t be about friends or monsters, because that’s already happened. Canonically. Several times, in several different flavors. 

TL;DR: There is no way this confession scene is heterosexual, and it’s probably about Cas, but not just him, it’s also simply about Dean himself and his comfy closet getting not so comfortable anymore. 

[pinknatural]

in 10x16 (episode of thee confession booth scene) the words te amo are uttered

[bugandhershippingtrashblog]

For as much as I adore 15x18, I think Castiel’s love confession could have also worked just as well if it was in 10x22 instead.

Hear me out:

10x22 is an interesting episode, because Dean and Castiel’s fight scene almost directly mirrors the one that happens in 8x17 (you know the one, where Dean says “We need you, Cas. I need you.”) How incredibly poetic would that be?

Not only that, Season 10 is a great place for canon destiel because of episodes like 10x5 (“Fan Fiction”) and 10x16 (“Paint it Black”) where we see Dean being confronted with his own feelings and a confirmation of the Castiel/Dean and Collette/Cain parallel

Dean doesn’t have to respond in that moment, but at least they’d both be alive after the fact and there would be 5 seasons of payoff (but I’m just rambling. I’d love to hear other thoughts on this tho)

[flowitch]

supernatural and lgbtqia+ characters

DISCLAIMER: i love these characters, which is why i watch the show. i do also have many issues with the show and the writers. this isn’t a hate post for the story or the characters, just the way the characters have been treated. do not read this if you are not caught up and do not want spoilers. this is also kinda a mess but i got very passionate about this and wrote it during classes

Dean Winchester

i’m gonna start with my boy dean!! dean is mine along with many other people’s favorite characters because of how complex he is. and one of the things that adds depth to his character is his “journey” with his sexuality.

there are many examples of dean very clearly not being straight, and he is officially headcanoned (and i guess canon now) as bisexual. you don’t even need to include dean and cas scenes for examples of his bisexuality. here is a video showing examples without any cas scenes:

https://youtu.be/rQSPmmuLJB0

now that we’ve established he is bisexual, let’s talk about the contradiction between the writing of his sexuality and character. the one i’m itching to talk about first is the confession scene in 10x16.

https://youtu.be/IqBHkwi13ic

in this scene, dean says, and i quote, if you don’t want to watch the video and don’t remember, “There's things, there's...people...feelings that I- I want to experience differently. Maybe even for the first time.” there honestly is no other way to interpret this. i’ve tried to put myself in the mind of the writers and the homophobes but i genuinely cannot interpret this another way. this is very clearly about his sexuality, being that there were no love interests at the time that this would apply to (not that this would even apply to a straight couple anyway). and not only does this confession scene occur, but sam even comments on how he was in there for a long time and he could always talk to him if he needs to!!!! they could have easily not had sam say anything about how long he spent in there, being that we as the viewers have no clue as to how long he was in there. they wrote that specifically to show that what he said in there had meaning and importance.

the writers and the crew of the show play into dean’s sexuality consistently with scenes, song of the days from the crew, etc., but then deny that destiel or dean’s bisexuality is real. i think a lot of this has to do with the fact that dean has always been considered as a “macho man” who shows very little emotion and has trouble with vulnerability. and that’s true! he absolutely is. but this show had 15 years to allow him to slowly work through his feelings and his issues with his own sexuality and self. the confession is a great example of the writers being almost there and then never speaking about it again.

even if you aren’t bisexual, you can see how much biphobia there is in the world. and as a bisexual woman i can say that bisexuality in men is so looked down upon it’s disturbing. men coming to terms with their bisexuality, especially if they are considered straight and “manly”, always makes me so happy since it’s not as accepted as female bisexuality. and this is another reason why supernatural exploring dean’s bisexuality would have been so incredible. seeing a man on television who has a lot of internal issues come to terms with something so complex and life changing would have been monumental to so many people. the writers had an infinite amount of ways to go about this because of things that THEY wrote, and instead chose to ignore his sexuality and have him not respond to castiel’s confession in 15x18. it’s very clear he was in shock in that episode so i’m not mad, but it is also clear that they wrote it that way to not fully make deancas canon.

dean winchester is bisexual, and the writers wrote him that way. nobody pulled this out of their ass, destiel didn’t become popular randomly and for no reason, they wrote him this way. this is their own writing that they have chosen to ignore and contradict for 15 seasons and it’s disappointing.

Castiel

this entire post is being written on november 6, 2020. one day after 15x18 aired. castiel is now canonically queer, and was already sent to someplace worse than hell. because he was happy. which directly connected to his love for dean. i honestly don’t even have to write cas’ section because that is enough, but i’ll write about his mistreatment anyway.

we knew the only thing that would make cas truly happy would be something with dean. well we assumed the writers would make up some other bullshit, but we hoped that it had something to do with dean. and sure enough, it was his love confession. and what i loved about this was cas starts it off by saying two beautiful things. one, that he knows he can never have what he really wants (dean), but he’s just as happy telling dean he loves him. he doesn’t need to have him to be happy with where they end their story, as long as dean knows. and the other thing he starts off by saying is that he knows how dean sees himself. he lists off all of these extremely kind things about dean and how dean is what made cas care about the world. he is the reason castiel went from an emotionless soldier to a fallen angel that feels deep love for people.

this confession scene although tainted by the fact that he died right after, which we’ll talk about, and the fact that it took this damn long, really means a lot to me. it was so incredible seeing cas be unapologetically open, honest, in love, and himself. he was for the first time since we’ve known him, completely and totally content. he told the man he loves how incredible he thinks he is and how he loves him, and knew he was saving him from billie by doing it. we’ve never seen him that happy. and it’s heartbreaking. 

misha summed it up perfectly i think: “Tonight, watching Cas talk to Dean, I got lost in the story and forgot for a moment that I’m the one who plays that angel and I thought, “He’s how I want to be. He’s openhearted and he’s selfless and he’s true.”

this was the first time we saw cas living his whole truth, and he immediately died. in terms of just bad taste, sending someone who just came out to angel hell is very disturbing, but it’s just further proof of the writers not caring about their lgbtqia+ characters. it’s like they gave us what we wanted, but there just had to be a catch, right? these writers very clearly do not care about their queer characters or fans, and what they did to cas here shows that plain as day.

obviously i really do want dean to save cas from the empty to parallel cas saving him from hell, but do i think it’ll happen in these last two episodes? no. first off i just don’t think misha filmed for the last two episodes, but also, the writers have made it clear that they do not care about cas in general, nevermind their now love story. it just does not sit right with me that he got sent to the empty for eternity because he was finally his whole self and happy.

Charlie Bradbury (our world + au)

we have seen charlie bradbury die twice, both times for no reason at all. the first time we saw her die, it was by the hands of a NAZI, and her body was THROWN INTO A BATHTUB. like i said before with cas, that was explanation enough i mean come ON. the second time we witnessed charlie die was in 15x18, (along with the whole world i know bare with me), which we did NOT need to see. 

let’s start with the fact that for all of these characters, supernatural creates and writes them wonderfully for the most part. we fall in love with these characters because of the way they were written, acted, and the dynamic with other characters. unfortunately in supernatural, if you are queer or a woman or god forbid both, that dynamic with other characters will be the death of you. 

i’m gonna talk about each other her deaths individually. so her first death. the only reason for her death was to further sam and dean’s (mostly dean’s) man pain. although i eat up the reactions of other characters when another dies, this just felt completely unnecessary to me. the writers wrote a fan-favorite character, and decided that the best course of action was to brutally murder her to further dean’s mark of cain storyline. and i loved that storyline! i loved the scene of dean getting revenge for charlie! but it did not need to happen. the only thing the fans wanted was for her to be alive and well, get more screentime and possibly have a girlfriend. 

when directly asked why they thought killing charlie was a good idea, jeremy carver said: 

“That’s an excellent question, and it, it’s tough just because...any time you have a favorite character on a show...People die on the show. And, and, and...and, unfortunately...So...there’s so many ways to answer that. And I feel, I, I...it’s tough for me to answer. She’s an absolutely beloved character, beloved on the show...And when we’re in the writer’s room...we have to go where the story takes us. And we try and do it without, um...(insert fans booing and the cast laughing at him)...this is the world day of my life. And I’d like to thank everyone up here for the support.” (they were not helping).

not only did he not have a clue on how to answer a question that should have an understandable answer, but then the best thing that he could come up with is “we have to go where the story takes us.” but why would that possibly be where the story takes you? if supernatural had more diversity than straight white males and possibly one woman that dies or is evil, then fine kill off whoever you want even if i don’t like it. but it becomes a gender and sexuality issue when she is not only the only recurring female character at the time, but also the only recurring lgbtqia+ character at the time (minus cas). 

now the second time she’s died. mind you this isn’t our world’s charlie. they brought her back for the fans and for the cast/crew that love her and felicia. we’ve established that she’s here living her life someplace. we haven’t heard anything about her for a hot minute, and then they decide to bring her back for 15x18. i was thrilled! i could not wait to see her, and was even more excited when she showed up on my television. and then, even better, we found out she has a girlfriend who she lives with and is clearly happy/comfortable with. and then what happens, may you ask? her girlfriend, stevie, a queer woman of color, vanishes. boom another unnecessary lgbtqia+ and woman death that could have been avoided if they just wrote in sam and dean calling her for help. 

later on in the episode, everyone on earth excluding dean, sam, and jack are gone- completely vanished where they stood. charlie of course is among those people. bare with me here, i know everyone vanished and it’s not the same as the first one. but here’s my issue with it: she did not have to come back. i would have rather had donna say “jodie, the girls, charlie, they’re ready to go when you need them”, and then they all vanish off screen. but instead they went through the trouble of bringing her back, showing her happy, having her experience a painful loss, and then disappear anyway. what was the point in having her in the episode?

like i mentioned earlier with dean being representation for bisexual men, charlie was just that for lesbians!! the amount of posts i’ve seen on multiple platforms talking about how much they resonated with charlie or how heartbroken they were no longer having representation on their favorite show is awful. there was a kickass nerdy, kind, strong, loving lesbian on your show not once but twice (au charlie), and you blew it. 

Claire + Kaia (Dreamhunter)

this part isn’t going to be long because there are some exceptions: wayward sisters failed spinoff (i’m still heartbroken i want it so bad), kathryn newton’s new status and inability to be in the show, etc.. so i guess this will just be a short thing about wayward sisters and what that could mean for claire and kaia. 

they had already established in supernatural that kaia was claire’s first love. we had gotten some really cute scenes with them, and then wayward sisters was finally a possibility. if the show had gone through, which i’m not sure why it didn’t, claire and kaia’s relationship could have been a goldmine. young girls could see themselves represented by characters already adored by supernatural fans. it would’ve shown a beautiful wlw relationship between two young girls who are also kickass and can keep up with their elders/male counterparts. 

i can’t pin this on the writers sadly (lmao), but i am still upset that we didn’t get wayward sisters. it would’ve meant a lot to women and to the lgbtqia+ community. 

My thoughts

like i said in the disclaimer, i love these characters and the story of supernatural. i always will. but i can’t lie about how frustrating it is seeing women, lgbts and people of color get constantly disregarded and mistreated. the writers had 15 years to get with the times, and the growth of society. stuff that i saw in season one and wasn’t surprised by should not still be happening in season 15. having writers that are all straight white males/women is not enough anymore. it never was. there has to be something for everyone in a show as big as this. it’s not about meeting diversity requirements, it’s about actually having diversity because it’s real. there are no diversity requirements for people in society. these are just people of different races, ethnicities, sexualities, genders, etc. who want to see someone like them represented on the things that they watch. it’s a lonely feeling not being validated by a show that you love.  

i might make another post specifically for the women mistreatment and queerbaiting on this show but that’s all for my essay on why supernatural sucks at not mistreating their queer characters :)

[laora-inn]

Supernatural - Destiel in 11x13, or Why this episode shouldn’t be “fixed”

Looks like Billie in the last trailer is a villain, ha? ;) Remember that in 11x02 she said Sam that she will toss any Winchester who’ll die into the Empty? Wonder if she already had a deal with the Empty that time. 

Back to Destiel moments in the show which, in my point of view, are underrated by fans. Let’s talk about some episodes in 11th season, shouldn’t we? 

I’ve noticed that Destiel-shippers mostly don’t like the episode 11x13, you know, the one with Quareen, who looks like Amara to Dean. Though there are some explanations of this situation from Destiel shippers’ point of view. For example, @charlie-minion​, a great meta-writer, whose works I’m absolutely fond of, wrote here:  

In case there were still people thinking that Dean and Amara were a good thing, real love, the show gave us an episode about “darkest desires”. The spell that Melissa was given was never about LOVE; it was about something perceived as lustful, codependent, obsessive and selfish (as we learned from Staci, Dan, and Melissa). People expecting the Qareen to take Cas’ form when facing Dean missed the whole point.

I am mostly agree with that, but this episode seems much more complex to me. 

Because, you know, Dan, Stacy and Melissa look kinda familiar. 

Two of them (Dan and Melissa) are in an established relationship. They even have a baby. Then the third one comes, a strong and possessive one (Stacy). She kissed Dan right after Melissa, in front of the nan cam, just to prove her right on him. 

Melissa knows about danger which Stacy represents. Melissa truly loves Dan and wants him back, but chooses the wrong way to return his love. This is how we meet the witch of the week, Sonja, whose plan is not to help Melissa, but to kill ALL OF THEM - Dan, Melissa, Stacy. Looks like this witch just hates the whole world, especially people who love each other. She tries to twist their good feelings and for that uses Quareen, a creature, who takes form of their beloved ones.

I’m not saying that the parallel is absolute, but just think of it: Dean and Cas relationship, both of them EQUALS and caring for Sam, whom Dean is like a parent to. Then Amara comes. She kisses Dean to prove her right on him in 11x09 - after he saved Cas from Rowena’s curse in 11x03 and told about “not marriage, but something” with Sam in 11x04. Cas knows Amara is dangerous, he’s faced her. He also feels unloved and expendable - this message he’s got not only from Amara, but from her also. So, for the sake of being useful, especially for Dean, Cas says “yes” to Lucifer in 11x10. Lucifer, of course, promises to defeat Amara, to save the world (and Dean), although his plan is obviously not to help Cas and Dean with Amara, but to kill all of them. He just hates the whole world, especially people who love each other. Dean and Cas, for instance. He tries to twist their good feelings and for that - oh, guess what? - possesses one of them and looks exactly like him! 

So, this episode is not only about Quareen Amara, but also about Lucifer and Destiel situation in the whole 11th season. 

Note, that Lucifer in 11x11 doesn’t avoid Dean or reveals himself. He acts like Cas, talks to Dean, listens to him, follows him, even touches him! But he does it in a such way, that makes Dean vulnerable and almost gets him dead. Right after their meeting banshee sees Dean as her victim. And she only hunts for the vulnerable ones. 

Quareen kills the victims by seducing them and ripping their hearts out. Lucifer in Cas’s vessel is obviously trying to seduce Dean, though really doesn’t care about Dean or his unwanted attraction to Amara, is going to use him as a bait, and all this crap seems to metaphorically rip the heart out of Dean. So banshee decides: oh, someone is vulnerable here. Just the way the man, who had a quarrel with his beloved wife - he was killed by banshee before.

I think 11x11 was the turning point for Dean. Not only because of confession to Casifer about Amara and his not-caring response, which made Dean vulnerable, but also because of Mildred’s words. She said that Dean is pining for someone and advised him to follow his heart. And after that he had a sleepless night. He is stuck between Amara, who scares him and basically wants him dead as a personality (she wants to devour him, but also doesn’t want it to be a non-consensual act - he is an exception for her), and Cas, whom Dean truly loves, by whom he isn’t loved back. As far as he knows. 

Relationship with Cas was always painful and complex - like the life itself. Amara’s wish is to give Dean peace, to free him from all the pain, to give him “sheer bliss” - in death. She is like Cas in 4x22, who also wanted peace for Dean and saw that peace in Apocalypse. 

Dean didn’t want to die back then, and his point made Cas fall. Dean doesn’t want to die now. He confessed that in 10x16, where also said, that he wanted to experience certain feelings in a different way. He was pining for someone since then - and even earlier. Of course, Dean isn’t pining for Amara. 

He is pining for Cas. And it matters a lot now, when Amara is here. It’s no coincidence that Dean told about his feeling towards Amara to Cas first. Dean wanted help from the person he truly loves. Because true love can beat any evil - we know that from fairy-tales. And in case we forgot, the show Stacy was watching before her heart was ripped out reminded us (quoted from the @charlie-minion​ post mentioned above):

Devil: True love, all right?

Man #1: Is he gone? Like, gone, gone?

Man #2: True love can get us out of here?

Devil: Yeah.

Man #3: Yeah, I’ve been in love a million times.

My point is these lines refer to Dean and his feeling to Amara. He can be saved from this unhealthy and unwanted dependence only by true love, not by some hook-ups with strangers. He literally had dozens of them by that time, gosh, he had one right before 11x13, and that obviously couldn’t help him. 

But Cas is gone, played by the Devil himself. So Dean’s confession about Amara to Casifer didn’t work, and Dean ended up with a heartbreak.

That was result of Cas’s wrong choice.

The same as Melissa from 11x13 (who is called just “Mel” by Dan, Dean’s obvious parallel, by the way), Cas trusted the wrong person. 

I totally agree that relationships between Melissa, Dan and Stacy are unhealthy. They are WORSE than the relationships between Cas, Dean and Amara. At least, Dean didn’t lie to Cas, he told about Amara. And not for the single moment he wants to “break up” with Cas. 

We also have a bunch of “supernatural” and metaphorical excuses for each of Dean, Cas and even Amara. ‘Cause, you know, Amara isn’t evil - just like Stacy. The real evil is Lucifer - the wicked witch of 11th season. That’s why in 11x23, after the moment Amara kicked Lucifer out of Cas and Dean had him back, he succeed to save the world, to survive and finally met his mother, the person who taught him love. When Lucifer is out, there is no problem for Dean to follow his heart :)

Still, the parallel between Melissa-Dan-Stacy and Cas-Dean-Amara remains. And it’s very clear imao. In the end, I doubt that Dan could leave Melissa either. 

This episode also has parallel with Cas and Lucifer interaction. Melissa understood her mistake about dealing with the witch and tries to fix it. In some way she succeeded - she helped Sam. 

Cas will show up and try to fix his Lucifer mistake in the next episode, 11x14. He will also help Sam to get out from the situation, created by Lucifer. 

If it’s not a parallel to the plot of the WHOLE SEASON, I don’t know, what is it.

And this parallel makes absolutely no sense without unplatonic Destiel perception. 

So, 11x13 is an important episode - from Destiel-oriented point of view.

And now let’s talk about two moments in the episode, which, I’m sure, are the main reasons DeanCas shippers don’t like it and don’t analyze it much (maybe I just couldn’t find all the meta, but still). 

1) Episode 11x13 starts with Dean, who can hardly walk and has a hickey on his neck. It’s the day after Valentine’s Day, and Dean hooked up with some single lady again. And he is planning to go on.

Well, here we see that Dean isn’t so happy about his “romantic” adventures. He doesn’t feel good, spits the fast-food taken from the fridge (maybe it’s not fresh, like his appearance at all), needs a shower and isn’t interested in a case. He says that on Valentine’s Day you don’t have “to be Mr. Right, just be Mr. Right Now” - and that’s the point. He isn’t Mr. Right himself, he doesn’t have his Mr. Right (true love) with him and probably will not ever have. The truth is he is no different than all the single ladies (and gentlemen) and isn’t happy about it. 

We see, that Dean is tired of senseless hook-ups. After them he isn’t fond of himself and stinking. 

Later he says he’d go on, and that sounds like thing he has to do, but really doesn’t want. That’s why when he isn’t “lucky”, he also isn’t upset.

For me this scene is rather approving Destiel than vice versa.

2) Quareen looks like Amara to Dean. 

Here is the point where I want to comment the statement “People expecting the Qareen to take Cas’ form when facing Dean missed the whole point”. 

Sure, Quareen is a dark creature who kills people by ripping their hearts out, and for show it was safer to compare Quareen with Amara. Actually both of them mean death to Dean. Besides, we had two Destiel fights, in 10x22 and 11x03. Cas even had a PTSD after. If Quareen was in Cas’s form, we’d have one more Destiel fight in 11x13, and that’d be catastrophic. They just didn’t want to make Destiel look more unhealthy than it already was. 

But the statement “Quareen takes the form of the victim’s deepest darkest desire“ doesn’t necessary mean that it should be someone whom the victim was obsessed with (in the worst sense of this word). Sam said Melissa truly loved Dan, and I believe that. Dan and Stacy could be obsessed by each other, but Melissa? I doubt. She is portrayed as basically innocent person who just made a huge mistake. 

More important, Quareen said to Dean:

Amara: I understand, Dean.

Dean: Is that right?

Amara: The longing in your heart, I feel it too.

Dean: (inching towards the knife) Well that’s touching. Consider that you don’t have a heart. Qareen.

Amara: Who I am doesn’t matter. The real question is who are you?

Dean: What do you mean who am I?

Amara: You’re a mystery. I can see inside your heart. Feel the love you feel. Except it’s cloaked in shame. When it comes to this (touches her body), you can’t help yourself, so why fight it? Just give in.

Quareen told about LOVE. About longing, which is a synonym to “pining” and was used in 10th season to describe a state when somebody is praying to Cas. Cas told to Claire he can feel longing of another person. 

So, Quareen feels longing too. And love. That means this creature can take form of a person, who victim truly loves. But, I think, in Dean’s case it’s not obvious, that’s why Quareen talks about mystery and shame, and doesn’t say that Amara is true love here (just someone Dean can’t help himself with). It’s not strange: Dean certainly knows towards whom he feels love, but doesn’t want someone else knows. In fact he tries to forget himself, because is sure that his feelings aren’t mutual.  

I think that’s why Dean told to Sam:

Dean: You know the silver lining about being cursed? I’ll finally get some face time with Daisy Duke. My deepest darkest desire.

Sam: Seriously?

Dean: Ever since I was seven.

Sam: So Bach, not Simpson.

Dean: Eh. Guess I wouldn’t say no to either.

From the start Dean didn’t know what this curse was about. Now he is aware and LYING. Daisy Duke isn’t his deepest darkest desire, he doesn’t care for her more than for any other option Sam can offer. He says it himself. Why is he lying? 

I’m sure Dean here thought about Cas and didn’t expect to see Amara AT ALL. 

Quareen’s point wasn’t to go deep, to understand complex love, cloaked with shame. To Quareen a victim, who can’t help themselves, would be enough. So in Dean’s case Quareen‘s form is far aside from love. It’s the first obvious form, which has a strong influence, and that influence is really bad. Far from love. 

So yes, people expecting the Qareen to take Cas’ form IN THIS SITUATION missed the whole point. But simultaneously Dean was such a person HIMSELF, and it could actually work.

I think Dean was expecting to see Cas also because of this conversation: 

Dean: Honestly? You seriously think the sister of God is my deepest darkest desire?

Sam: She isn’t?

Dean: No! She can’t be!

Sam: Why not?

Dean: Why? Because if she is that means that I’m…

Sam: Means you’re what? Complicit? Weak? Evil?

Dean: For starters, yeah.

Dean is already confessed to Casifer he and Amara has some kind of connection. Gosh, he even confessed that to Sam - it wasn’t easy, because Dean IS AFRAID of Amara. He isn’t in denial of the fact of their connection. He just doesn’t like its definition, and I am totally agree with his further line: “Something happens and I can’t explain it, but to call it desire or love…it’s not that”. 

Within this conversation Dean hasn’t finished the line: “Because if she is that means that I’m...” Sam interrupted him with “Means you’re what? Complicit? Weak? Evil?“, Dean said “For starters, yeah”. I think, he wanted to say something else. For example, “that means that I’m not in love with Cas. And I love him”. Whatever it would be, I consider Cas would be involved, in Dean’s mind for sure - ‘cause Dean probably couldn’t say something about his Cas-related feelings to Sam.

Anyway, I think there was a reason for Dean to be so sure that “No! She can’t be!”. It’s not fear or denial. He adjusts that something is happening, and I think he understands what love and desire are. This “something” isn’t them.

The chain of events with Quareen is the next: Dean is uncomfortable with his true “darkest desire”, he talks to Sam about the first girl he can remember, a fictional character, by the way, then sees fake Amara, who hasn’t expected to see, she talks to him about his mysterious love, covered in shame and definitely more complex than his feeling for real Amara is, then Sam stabs Quareen’s heart and Dean is like “it couldn’t be Amara, very strange, I love someone else”. 

So, if it’s not Amara (accurate) and not random girls to talk with Sam about (accurate), then who the hell it is?!

I think we all know the answer.

From the point of story, to Destiel shippers Quareen looking like Amara is not bad at all. I think this episode is supposed to be a gift for us shippers, but then our own heteronormativity stood on the way and made it hard to see the whole picture. 

From the very beginning this episode was full of Destiel: numerous text and plot parallels, which make ABSOLUTELY no sense without implying DeanCas as one of the main points of season 11; Dean tired of senseless hook-ups and unhappy about Valentine’s Day, ‘cause his heart is broken; Dean who wants to hide his true darkest desire from Sam by saying some crap about fictional girls; Quareen‘s words about Dean’s mysterious love, longing, and shame; Dean’s own disagreement with his “love” or “desire” to Amara whom he didn’t suppose to see; his unfinished phrase to Sam.    

So no way 11x13 should be “fixed” with adding more Destiel of changing Amara to Cas. It makes no sense. 

I wonder how this heavy Destiel content ended up with “Dean loves Amara” perception. The content wasn’t so subtle, you know. 

Just how strong our heteronormativity could be? 

And how the hell despite of that we manage to get almost canon Destiel relationship? In fact, they are more canon, then any other romance in this story. 

______________________ To conclude, I have some difficulties with the tumblr usage for now, but I'd like to communicate with the co-shippers. 

So, if you want to hear my opinion about or to point out any Destiel moment in the show, feel free to write to my ask. I’ll try to answer ASAP - we all are in the same boat now, so it’s important to support each other and to share our thoughts. Some kind of therapy, I’d say :)

[orionsangel86]

Sam & Eileen - A Supernatural Romance.

I am quite clearly over the moon about 15x06 and Sam reunited with and bringing Eileen back from the dead. I was so over the moon in fact, that I burst into tears when Eileen stepped out of the bathtub and took Sam’s hand. That was… wow. 

That was the most romantic moment in this show since 13x05 “it’s never too late” (also a return from the dead!)

So I was inspired to write an homage meta post celebrating Sam and Eileen’s romance looking back at everything canon has given us on this epic pairing.

It turns out, despite all my usual grumbling, there is still one het ship out there that I can totally get behind, and no one deserves love more than our dear Sam Winchester.

11x04 - Baby

This is where I believe the story started for Sam. 

“You don’t ever want something more?”

(x)

“You know, with a hunter? Somebody who understands the life?”

This question, from Sam to his brother at the start of Season 11, has shaped so much of the subtext in the seasons following. It’s significance to the Winchesters individual development arcs, their hopes, their dreams. It blatantly spelled out for the audience what both these boys desire and what they deserve for each of their endgames.

Not a white picket fence, not the apple pie life, just something. Something that suits them. Something to share with someone else, romantically, who might fit that particular box. Let me be very clear here and stress that Sam certainly wasn’t talking about him and Dean finding that something with each other.

Dean’s journey towards finding that something has been building for even longer than this particular moment in canon, with the other stand out scene being his confession in 10x16 where he talked about having things, people, feelings, that I want to experience differently than before, or maybe even for the first time. Dean’s journey is something we have discussed at length, and as every meta writer in fandom knows all too well, it only leads in one particular direction - towards a certain dreamy blue eyed angel. 

Sam’s journey has not been discussed as intensely as Dean’s, but 11x04 did lay groundwork for the writers to build upon. It hasn’t been as smooth or as obvious in the subtext as Dean’s either, with certain writing decisions appearing to come out of left field and confuse the path. But it seems that Dabb has course corrected and brought us back on track. 

This episode was the first time in canon in a long time that we heard Sam textually voice his desire for a romantic relationship of some kind. I therefore immediately got excited and locked this moment away in a pocket in my heart to pull out again if ever the show would introduce a character who could fit those requirements for Sam. 

The show did not disappoint.

11x11 Into the Mystic

GOD I forgot how full of delicious layers this episode was! It was written by the same writer who wrote 11x04. Robbie Thompson clearly had something in mind for Sam when he first wrote that script, and he gave it to us (and Sam) in this episode.

Eileen is introduced in 11x11 as another Hunter on a quest for vengeance - to avenge her murdered family.

It isn’t a surprise that we basically immediately shipped Eileen with Sam after this episode first aired, because her entire backstory is written to compliment Sam. Within the first 5 minutes of getting to know her, she already fulfills the requirements from Sam’s wistful speech in 11x04. She is a hunter, she is someone who understands the life. But more than that, she is all of the following:

She is on a revenge quest

She has murdered parents

She was raised by a Hunter or rather “trained” to be a Hunter rather than raised (in a scene which implies a similarly strict hunter upbringing to Sam and Dean)

She continued hunting alone after her guardian died

Her grandfather was a Man of Letters, making her a MOL Legacy, just like Sam.

Her mother was a lawyer, so she makes a joke about studying law which prompts further bonding with Sam due to his Stanford law education.

Eileen catches Sam’s eye almost immediately, and it is surprising I didn’t pick up on that on my first watch at the time, but Eileen is literally disguised as the cleaner in order to go unnoticed. Sam had no reason to be suspicious of her, and I think at the time we all assumed that he just wanted to question a potential witness - but even so, there was no need to interrupt Mildred to go speak to her. Could Sam’s distraction have been a bit more than strictly professional? In hindsight I’m gonna go with YES.

Their next meet is cute simply because by this point the audience is misled to think that she is actually the banshee. The ominous music tones, the shots of Eileen watching the Winchesters from a window. We believe that she is the villain, and then when she uses magic to pin Sam and comes at him with a dagger it’s practically a romantic trope used in enemies to lovers fics. A case of mistaken identity (another trope) and Sam and Eileen are able to reveal each of their truths. They bond immediately with both Sam and the audience learning all of the above. the checklist requirements indicating their compatibility is so blatantly obvious its almost too on the nose. But then het romance always seems that way doesn’t it?

The real kicker in this episode that made my heart sing at the time was this:

“Feel free to drop me a line if you ever need anything. Or even if you just wanna hang out”

“you can’t call me though, I mean you could call but I won’t answer.”

(x)

FIRST OF ALL - HOW DARE YOU KILL ME WITH FEELS SAMMY OVER THAT GORGEOUS SMILE

Sam’s line here though was SUCH A LINE. “Or even if you just wanna hang out”

I see you Sam Winchester. Hoping for Netflix and Chill right? I know you have Netflix. You gave Cas your password. :P

This little interaction at the end of this episode was pure flirtation and it was gorgeous to watch (and to rewatch, with hindsight, knowing what happens in 15x06 to totally deepen their relationship. Urgh. I guess I really am a sucker for a good old fashioned Supernatural Love Story!)

The other big takeaway from this episode is that meeting Eileen rejuvenated Sam. He starts the episode unable to sleep, haunted by his Lucifer trauma and feeling so down and broody that Dean steps in constantly to ask if he’s okay and try to engage in talking about feelings (always a bad sign for a Winchester to get to the point where they feel they need to ask the other to talk about feelings!)

But the end of the episode marks a significant change in Sam. He smiles, he opens up to Dean, he textually states that the case helped him. He opens up a keepsake box (that we never knew he had before this episode) and puts the retirement homes leaflet in there - an indication that he actually has hope that he might live to see a happy retirement (a wonderful sign for someone who just 40 minutes ago was acting like a total nihilist.)

The case alone wasn’t some spectacular revelation, so what else could have possibly caused Sam’s change of heart? The answer is obvious. Eileen did. She acted like a beacon of light this episode for Sam, and in a perfect bookend to how the episode opened, Sam curls up in bed, turns off his light, and is able to sleep. It is only Dean who spends the night restless and haunted.

This was the first time that Eileen acted as a “win” for Sam just by meeting him.

Unfortunately, we don’t meet Eileen again until a whole season later in

12x17 - The British Invasion

This episode is a far cry away from 11x11′s layered genius. Messy, overly plot heavy, too many various character stories causing mental whiplash, too much focus on unnecessary side characters, LUCIFER existing in general, an unnecessary sex scene between Mary and Ketch (eww), a bloody death scene, and moments of utter stupidity from the lead characters.

In other words it’s a CLASSIC BUCKLEMING.

Do yourselves a favour and if you ARE planning on re-watching this episode, just skip to the parts with Dean, Sam and Eileen (the Dagon and Kelly stuff is relatively good as well - the rest is utter garbage).

Anyway, pushing aside my hatred for the terrible duo for a moment, I will say that as per usual, what they lack in subtlety and intelligent subtextual layering, they make up for with a sledge hammer to the face in terms of trying to get a point across. So when it comes to Saileen in this episode, well, it might as well be canon already.

Practically every time Sam and Eileen interact in this episode, they are framed as a flirtatious couple in the early tentative stages. The smiles and playful flirting, the smirks when one does something to make the other proud. It is very clear, even if it is still technically subtextual, that both Jared and Shoshannah are playing this like these characters are attracted to one another, and are building on that relationship.

Hell, even Dean teases Sam twice about Eileen in this episode (though once was in a deleted scene that they should have kept instead of the Lucifer crap):

(x)

What we also find out from this opening scene, is that Sam and Eileen have been communicating off screen since 11x11. It is textually confirmed that the two of them have been developing their relationship previously, and we just haven’t seen it. Did Eileen visit the Bunker previously? Because she certainly seemed comfortable there this episode. Have her and Sam cuddled up to watch movies previously? (We know another pairing that textually do this even though we’ve never seen it on screen - Dean and Cas). Dean feels comfortable enough to tease his little brother in that playful typical sibling way, so clearly Eileen at this point has become a more frequent character in Sam’s life. It’s just a shame we as the audience have never seen anything of it until this episode. 

This episode might be the first time we have seen her again since her introduction, but it certainly isn’t the first time Sam has seen her since. This is canon.

The rest of this episode continues this theme of displaying with zero subtlety that Sam and Eileen have something more than friendship. One of the easiest ways to truly see the effect of this is just watching Sam in scenes with her compared to Sam at any other time. Like in 11x11, Eileen manages to light Sam up and have him grinning like a puppydog. It’s kind of adorable and also quite shocking when you realise how rare it is to see Sam smile (or any of the characters in this angstfest of a TV show for that matter.)

Just look at the above cheesy smile in the car scene. Look at Sam’s bashful face here when Dean teases him in front of his girl:

(x)

Look at this smug face when Eileen snaps back at the irritating guy:

(x)

Jared hits every mark playing a loved up Sam Winchester. 

By the end of this episode, a tragedy strikes and Eileen is scared off. Their relationship here ends on a comforting hug, because meaningful relationships in this show are almost always first signified with comforting hugs following traumatic events, and tentative hand holding.

The way he strokes her hair gently is just SO touching and intimate.

(x)

When all is said and done Eileen leaves, terrified of the British Men of Letters. When Dean asks Sam where she was, he tells him she went back to Ireland, and Sam looks so dejected at that thought. I don’t see how anyone can possibly read his reactions towards Eileen as anything other than romantic affection.

As a bonus point - I will mention that due to Bucklemings sledgehammer approach, it is quite clear that Eileen plays a Cas mirror in this episode. All of her scenes with Sam are paired off against Dean who spends this entire episode trying and failing to get hold of Castiel. In the Winchester’s final scene, Sam greets Dean in the morning and immediately asks his brother about Cas. Sam does this a lot in season 12, because Dean’s concern for Cas is present throughout every episode in which he is absent. Dean admits he is worried, but changes the subject, instead asking Sam about Eileen (note that it is the next morning so Dean assumed she had stayed the night).

Both brothers revert to the other when it comes to their respective partners. Sam leaves it up to Dean to contact and worry about Cas, and Dean does the same with Sam about Eileen. By this being a common pattern throughout pretty much all of Carver/Dabb eras, both brothers subtextually acknowledge that they each have a strong emotional connection with their respective potential romantic partners and therefore any contact or communication about each partner must come from the brother closest. 

12x21 - There’s Something About Mary

Another Buckleming episode and the less said about this one the better. I won’t even mention the extremely insulting and inappropriate way to kill off a disabled character (almost as bad as killing off a lesbian by having nazis butcher her) I also won’t comment on the letter that Eileen sent Sam which whilst it did have romantic undertones, was clearly written by a 12 year old girl and did not marry with Eileen’s character at all (Eugenie showing her misogyny again).

The one good thing that came out of this episode (the only good thing) was Jared’s understated grief over Eileen’s death. 

(x)

(x)

His performance dealing with her death in this episode was beautiful. It was understated, but clearly portrayed as heartbreaking. Unfortunately Sam had to push it down and bottle it up. 

Eileen’s death was a huge shocker to us all as it didn’t make any sense at that point to cut short a story that seemed so clearly to be on a specific trajectory. We often talk about how Eileen’s romance with Sam at the time was tied to Dean and Cas, and that their relationship paralleled Dean and Cas’s in the narrative. This is all true, especially the death of Eileen coming as foreshadowing for the death of Castiel at series end. Just looking at that above gif of Sam where he looks at her corpse bears an extreme resemblance to Dean pulling back the sheet and looking down at a dead Castiel in 13x01.

However much I squee and love that these relationships are clear mirrors of each other though, I need to stress how Saileen, how Sam and Eileen’s canon relationship, is so much more than that. They may have mirrored Destiel, but they are also totally different, on a different course, and with a totally different backstory. Eileen doesn’t exist just to give Sam his own version of Cas to run off with. She is not there just to push up a separate ship. Sam and Eileen’s romance stands alone in this story. It may mirror DeanCas at times, but its purpose is not for DeanCas. It’s purpose is for Sam and Eileen. 

Right from the start she ticked all of Sam’s boxes, and the clear attraction between them made it obvious. Yet Eileen was not written to just be a love interest either. She is an ally, a capable hunter, who is written deeply, with her own trauma’s and tragic past. Yet she keeps fighting, all whilst owning her disability and making it work for her rather than hold her back. She is hardly a Lisa, or an Amelia, both of whom had zero depth of character and were more or less written to look pretty and concerned as the Winchester boys basically treated them terribly. Eileen stands out as an individual character far beyond her relationship with Sam. She was full of potential which is why her quick death was an absolute travesty. 

Eileen should not have been killed off. I believe even the writers are well aware of that, and this is why they brought her back. 

Which brings me to:

15x06 - Golden Time

We knew long before this episode aired that Eileen would be back as Dabb revealed her return at SDCC. He made comments at the time ensuring that any characters he brought back would not be fanservice, that they would be characters chosen because the writers felt their stories ended too quickly, and that they had more stories to tell. Something I believe that DabbBerens are doing in particular in this season is righting the wrongs of the past. Eileen’s death was a clear “wrong” and I think its highly likely that DabbBerens’ were aware of this and saw Eileen as a no-brainer to bring back. As I said at the start of this post, Dabb is course correcting, getting his endgame plans back on track, and ensuring that he hits certain markers in order to do that. 

Once again, we are at a place in the story where Sam is grieving, and suffering deeply from all of the loss and trauma that he has faced. Being God’s personal puppet, losing his mother, losing his son, and losing someone he was close to in Rowena by his own hand, has left him in a dark place. Sam’s arc in early season 15 plays out very similarly to Dean’s arc in early season 13. A Winchester in desperate need of a win.

Eileen was Sam’s win in this episode.

Given the time that has passed since Eileen’s last episode, and how the narrative has progressed since then, I was worried that Eileen’s return would seem like fan service, and would therefore fall flat (I felt this way with AU!Charlie and never warmed to the character because of it). I was also worried that whatever potential relationship might have been building between her and Sam in seasons 11 and 12 might not have shone through in this episode. But thankfully the writers played it pretty damn perfectly and Eileen’s return wasn’t just a small side plot to an otherwise jam packed episode (like Kevin’s return in 15x02). No, her story was the A plot as Sam devoted himself to finding a way to save her from a terrible fate.

My concerns about their potential romantic relationship not being played as it was in 12x17 were also completely unfounded. From the moment Sam saw Eileen’s ghost whilst on a jog the romance was immediately back and I have no doubt that Jared and Shoshannah are once again fully playing up the connection and romantic attraction between the two. 

I am so convinced of the romance being put across here, and I want you to see why I adore this so much (in case you don’t already see it). So here are my biggest and most important takeaways from Eileen and Sam’s scenes in this episode and WHY I feel these stand out as significant elements towards proving the writers intentions for this to be an endgame canon relationship:

1. Aside from the obvious similarities between Sam and Eileen that were written into 11x11 in order to ensure that Eileen was able to stand as Sam’s equal, the one other thing that we have long discussed that Sam needs in a partner is someone who at least somewhat understands the trauma and pain that he has experienced in his life. Sam has predominantly bonded with people via shared trauma. Before her death, Eileen had had her fair share of traumatic experiences growing up in the tough hunter lifestyle, but spending an eternity being tortured in Hell is a different level of trauma entirely.

This episode cleverly once again elevated Eileen to the same level as Sam. They are equals now, both through good and bad experiences. Eileen was dragged to Hell, and only escaped when Chuck released the souls. Given that 1 year on Earth is 100 years in Hell, this means that Eileen was in Hell for 250 years give or take. Her trauma, her pain over this, is something that she can’t talk about just yet, but this significant connection between her and Sam was textualised clearly:

SAM: “I’ve been there too. Hell… long time ago. You try and forget but it gets inside you. Talking helps.”

EILEEN: “I can’t. not yet.”

SAM: “I understand”

And he really does. It is something that we can argue is a shared suffering that can create a (forgive me for this) profound bond between two people. The only other people who can understand just what he has been through were Dean (via years of Hell torture), Cas (via shared Lucifer possession), and Rowena (via shared Lucifer torture). Eileen now makes that very small list.

2. The other big factor that this episode made clear to point out textually was that this is not a Chuck manipulation. This really is Eileen, and her return from death is not part of Chuck’s story: 

SAM: “Rowena got it, she didn’t know the details but she knew the game was rigged so this. Magic. This is how she kept control.”

The reason I do not believe that Eileen is part of Chuck’s manipulations is this very pointed line right here about Rowena. Along with many other things in this episode that indicate that it isn’t guided by Chuck, Sam specifically clarifies that Rowena used magic to maintain control over her own universe.

Whilst I fully believe that Rowena will be coming back as Queen of Hell (because whatever happens to Heaven and Hell at the end, they will need balance, and someone to play caretaker and Rowena has just been set up for this role far too perfectly for me not to at least consider the option), this episode so beautifully respects and honours her character, to the point that Rowena, even in her absence, is able to control and play architect to all that happens. Rowena effectively is given Chuck’s role over this particular narrative, but instead of being framed as something villainous, it is portrayed as a precious gift that she has given to her protege Sam.

Rowena rigged the system for herself, as Sam textually explains. Her use of magic, was her way of escaping Chuck’s control, and it is through Rowena that Sam is also given this power. The power to bring back someone he loves - who was most likely taken from him by Chuck’s own dark and poorly written story (yes I do believe that Meredith was throwing shade at Buckleming in the deep subtext - pretty much all the other writers do this all the time if you pay close enough attention :P)

Rowena’s journey from villain, to reluctant ally, to friend and then finally to family, is one of the most beautiful and epic journey’s on the show (rivalled only by Castiel in my opinion). She remains one of my all time favourite characters, and her tribute in this episode, that even after death she could bestow such a precious gift to Sam, is one that I think will remain one of the more touching stories this show has given us. This is yet another reason why I believe that Sam and Eileen are endgame. Because it is a gift from Rowena, and I believe it is a gift that will be honoured by the writers.

3. It’s a small moment, but it is IMPORTANT. Sam confirms that he was teaching himself ASL after he met Eileen. In a moment of adorable flirtation Eileen beams at him and a bashful Sam smiles and bounces on the spot like a giddy schoolboy. This is yet another reveal of moments in the lives of the Winchesters that we just don’t see in 40 minute episodes. That it is canon that Sam spent hours of his life teaching himself ASL so he could more effectively communicate with Eileen is so precious. There is no way to argue how much she meant to him. 

But it isn’t just evidence of Sam’s affections, it proves to be a useful tool to the hunt in this episode as well. When Sam is unable to speak due to the witches curse, he is instead able to sign “My brother” to Eileen so that she knows to go and get Dean. It is Sam’s knowledge of sign language, which he learned due to his affection and interest in Eileen, that saves his life in this episode. 

One point that I HAVE to mention here is how the writers gave so much thought to their depiction of Eileen as a deaf person, and how wonderful her return is as representation for deaf and hard of hearing people everywhere. In both this episode, and also in her first episode 11x11, her disability was not treated as a set back, but as a tool that enables her to get ahead. The only time the writing displayed an insulting and frankly ableist light was Bucklemings 12x21 which isn’t really surprising. We expect such things from Buckleming. The other writers have proven how much more compassionate and caring they are.

The idea that Sam Winchester could end up falling in love with a beautiful, deaf woman in Eileen is practically unheard of in TV media. When do the protagonists ever end up with anyone less than “TV perfect���? It is groundbreaking that Supernatural in it’s 15 seasons has grown so much and come so far. That it started with the fridging of two women, that it’s cast remained predominantly white men throughout its entire run, that it was blackened by excessive misogyny in its early days, as well as ableism via the treatment of Bobby Singer’s paralysis in season 5. 

Supernatural has faced heavy criticism throughout it’s run, but it seems like the writers have listened and are learning. By allowing Sam and Eileen to have a happy endgame, they are doing a wonderful service in truly putting this show on the map for progression and representation - They just need to make sure that they follow through on that other big important thing too…

4. Rebirth and new beginnings. I am reminded of 13x05 and the brilliant Steppenwolf song “It’s Never Too Late To Start Again” as I rewatch the bathroom scene for the hundredth time. If the rest of the episode hasn’t already had you crying out how desperately these two should be together I fully believe it was Meredith’s plan (along with the entire production crew and Shoshannah and Jared), to have us all bawling our eyes out in happy tears that Sam and Eileen get to be together now!! (well, I certainly cried. A lot. and ruined my mascara. and squeaked at such a high pitch only dogs could hear me. The only other time I have had that reaction was in 13x05… oh, and 12x19. It’s RARE okay!)

I think the most significant point here is the touching of hands, which calls back to an earlier painful moment in the episode when ghost Eileen reached out to try to comfort Sam as he despaired about being a cosmic joke, and found she wasn’t even able to touch him. 

It is a romantic trope that was most famously used in the film Ghost, where touch was a big part of the on screen relationship. Supernatural displays this same trope rather perfectly here when the big win of the episode takes place, and Eileen emerges from the bathtub alive and whole, and tentatively reaches out to take Sam’s hand again with vastly different results.

(x)

Sam is so hesitant to touch her back, so fearful that this isn’t real, that he isn’t being allowed this. The overwhelming sense of relief and warmth that radiates from him when he finally does take her hand was exactly what made me burst into tears. The moment is so extremely breathtaking, so intimate and touching that your heart just aches for them to have that happy ending. It’s rare that Supernatural gives us moments like this, but when it does give them, when it allows its characters a win, they are immediately memorable and stand out as bright spots in an otherwise dark show. It’s moments like this that make watching these characters suffer so much worth it in the end.

The hug that comes after the touching of hands is just as intimate. This is portrayed as a lifeline. Something for Sam to grasp onto and breath. Something that inspires him to change his outlook, to gather his determination, and to convince his brother to join him and fight for the happy ending that both of these boys so desperately deserve.

(x)

The entire bathroom scene was a testament to how well Supernatural can work romance into its narrative. How these talented creators can easily provide us with a romantic scene to tug on our heart strings. Anyone screaming that romance doesn’t belong in this show I will now point at this scene and tell them exactly how wrong they are. This scene is EXACTLY what this show needed. 

For anyone denying the romance here (yeah funny how the bronly’s are so anti Saileen - I wonder why...) I’ll spell it out for them:

This is how you set up a romantic scene in TV Production:

1. Candlelight. Check.

2. Soft focus (dates back to the 1930s when films would use soft focus to portray the dreamy emotional uplift of happy couples in love - see Meet Me In Saint Louis for a very clear example). It is almost always considered a filming technique to portray romance. Check.

3. Chivalry. As if any of us didn’t expect Sam to be a perfect gentleman! But the fact is that the way he turns his back and waits with bated breath to see if the spell had worked is shown as anything other than platonic. He is almost shy, knowing that if and when she emerges from the water she will be naked, but he turns to preserve her dignity. Check.

4. Leading on from that, this is literally a naked woman emerging from a bathtub whilst Sam awkwardly stands in the room. It could have been highly sexualised. They could have used that god awful 70s porno music they like so much in this show. Sam could have made a joke to dispel the tension. If this was a platonic friendship, any of these things would have given it away. The fact that none of this happened, that the scene remained tense and intimate but not overly sexualised only further validates the romantic reading. I mean LOOK AT THIS:

CHECK

5. The music. Music is such an important part in any story. It always plays a vital role in signifying the correct atmosphere, and the correct tone of a scene. We talk about music a lot in relation to Dean and Cas and the sweeping melodic notes that usually compliment any heightened emotional DeanCas scene. The music during THIS scene though? Well it was beautifully romantic in every way. If in doubt, just go back and listen to it with your eyes closed. Play this music track over another random scene of two people sharing a moment, and it will make the scene read as romantic. I guarantee it. 

CHECK AND MATE.

Overall, this episode was the most romantic and most intimate Sam and Eileen have ever got yet in canon. It is a clear indication that their relationship is heading in a positive direction. I couldn’t be happier with how the writers are portraying this and am jumping for joy at the thought that Sam might actually get what he desired all those years ago during 11x04 when he tried to bring up the topic to Dean in the Impala.

We know from promo photos, that Eileen is still staying with Sam in 15x07. That she comforts him. With images like this to go on:

I’d say with some confidence that we will get to further watch their relationship grow, and I couldn’t be more excited for it.

I fully expect there to be darker moments coming up, and potentially Eileen will be sent away for a period of time (my money is on Chuck “dusting” her the way he did with Becky in 15x04 because I don’t believe that kills people and I do believe that they can be brought back from wherever he sends them too - plus “dusting” makes me think of Avengers Endgame which I find amusing because the “dusted” all returned at the end. I wouldn’t be surprised if Supernatural played around with that as it so often likes to play with pop culture references). I think that post Mid Season Finale we will be back to a period of utter loss and despair for the Winchester boys, and that therefore those who they feel strongly for (aka Cas and Eileen) will have to be separated from them.

However, the point is that it is always darkest before the dawn. In this story, 15x06 has laid the groundwork for Eileen to be Sam’s romantic endgame. It’s now up to Sam, and Eileen, to make sure they fight to get what they both so desire.

Bring on the finale show.

(If you liked this meta run through of Sam and Eileen’s building relationship, please leave a comment for me. It took forever to complete! Also, please click the links under the gifs and go give the gifmakers some love! The gifsets I have used are all wonderful and deserve your reblogs. (Gifs that don’t have links are my own)).

:)

[verobatto]

Destiel Chronicles

Vol. LVIII

It was a love story from the very beginning.

Cain's Mark vs Profound Bond

(10x15/10x16/10x17)

Hello my friends! Today we are going to talk about three episodes from this season exploring the big fight between Cain's Mark (the monster inside Dean) vs Profound Bond (Destiel).

Cole: another switch mirror

In episode 10x15 'The Things They Carried' we meet Cole again.

But again after to jump into that, let's recall that glorious scene in which one sheriff offered Dean a piece of cake...

Gif set credit @deanwinchesters

And is time for the crazy colors old lady here...

You know what cake means for Dean, okay, is not pie, but is like... He wants to eat Cas, and who don't? 🤣🤣😏

Okay... Blue plate... (CAS) Right? Dean is trying to reach it but Sam blocks it. Dean longs for that cake... Then, the cake is divided... There one big piece with a green and yellow candles (the two brothers) but green is Healing!Dean so, is good... Another piece with Blue and Res candles (Toxic/Violent!Dean and Cas). So one is good the other not so, maybe representing the end of the season in which Dean and Cas will have a very violent encounter, and Sam will be able to reach Dean in that Mexican bar (Las episode from this season).

Okay, my rant has no limits. I know. I also know you like me as I am. So is okay. 🤣🤣

Now. Cole's time.

Rick was Cole's best friend, he was a soldier. When Sam and Dean went to talk with his wife, this is what she said about his husband...

Gif credit @yaelstiel

BETH: Rick was a kind soul. He never took more life than he had to.

Is like talking about Dean here, knowing Dean will become a thirsty of revenge monster by the end of the season, this is an accurate description.

Talking about thirst of revenge...

BETH: No. But . . . Rick was . . . he was so . . . He was thirsty.

DEAN: Thirsty for what?

BETH: Water. He'd spend half the day drinking from the garden hose. And then, one night, I caught him in the tub drinking the bathwater. When l told him to stop, it was like he couldn't even hear me. And his skin, it got so dry it bled.

Another wife asking his husband to stop.

When Cole enters finds the Winchesters, he knows the brothers wanted to kill 'the monster'

So, here is when he became Sam/Cas mirror...

Gif set credit @loiah

Cole keeps his hopes, he wants to save his friend. Just like Sam and Cas want to save Dean.

Then, when the worm takes control of Cole, leading him to a metamorphosis into a monster, slow and painful, he switch to Dean mirror.

The parasite is Cain's mark. Hopefully Cole is healed. But the whole scene is like Dean looking at his reflection, trying to fight the monster/Cain's mark/parasite.

But at the end of the episode, this is what Dean says...

Gif credit @bellamy-octavia

Terrible, a self sentency, right?

The betrayal and what Dean really wants

Episode 10x16 'Paint it Black' we have two important point to watch.

First of all, the ghost Love's story talks about betrayal. The artist betrayed her. Betrayed their bond. Another Destiel foreshadow, another clue to is about to come, Dean finding Cas with Sam acting behind his back. Always with a romantic parallel, of course.

But this episode had a very, very important scene. Dean's confession.

Keep in mind we jus had two episodes with Dean eagerly eating cake. Cake represents his bi-self, the side of him that longs for Castiel.

So, the confession starts with Dean naming PIE, I mean... Women.

DEAN: Right. Good. Yeah. So, that, and, um…so the women. Uh, and this is not something that I’m proud of, but I let them think that we have more of a future than we do, you know? Ah, Gina.

Gina doesn't exist, is just a name in the name of all the women he knew. That's why Gina appears in the same paragraph he names women in general. The pie.

FATHER DELANEY: Gina?

DEAN: Well, now, don’t get me wrong. I mean, she was – it was good times. I mean, you know how it is – the sex, the lasagna – but I was not honest with her. And sometimes, I was seeing two, maybe three girls at the same time, sometimes in the same day. [Chuckles] you get the picture. And it wasn’t just Gina. It was endless. It’s making me sick.

This is a complex dialogue we have here. Gina is women, but it also is Dean's fem side. He wasn't honest with himself. He had so many women, not being honest with it, and it got him sick. Superficial encounters, not feelings, just sex. Not compromises. But inside of his soul... He was getting sick... Because that's not what he is or what he wants... He wants cake.

When the Father was about to end the confession, thinking Dean was over... Is when the real thing came out to light...

Gif set @yarnyfan

Dean wants to experience those feelings he has for Castiel for the first time. Because Cas gives him security, and profounding. Cas has done for him what no one did before. So Dean knows that what he feels for him must be true, must be love. And he wants to embrace it for the first time. Is one of the reasons why he doesn't want to die. So after talking about the superficial, the women, the pie, he goes for the cake. Is the good thing, the new thing, the different thing. He wants Castiel.

Now, just to finish this episode, there was another little foreshadow...

SAM: Is this you thanking me for not doing what you told me to do?

DEAN: You know, if you would have burned the journal, then we wouldn’t know how to kill it, would we?

Okay, remember when Dean asked Sam to burn the Book of the Condemn? And he didn't? Okay... We know Sam will give it to Rowena and through that book... They will erase the mark. Thanks to Sam who didn't obey his big brother this time.

The Plan to save Dean

Episode 10x17 'Inside Man' or... Bobbyyyyyy!!!! *horribly crying* sorry.

Mostly a beautiful Sam/Cas work team episode, and how they began to assemble the perfect work team of the entire show! (Sorry again, I love their dynamic) but I will talk here just a few things...

Bi!Dean winking at the bartender, and the bar full of red, (toxic!Dean).

The psychic just seeing colors when trying to read Cas. We love our gay angel.

Hannah saying Cas he was desperate to save Dean. Yes. She knows what is going on there between Cas and Dean.

Dean facing persons under the beast spell, thanks to Rowena, like a foreshadow of Dean facing Cas under the same spell.

To Conclude:

These three episodes talked about the fight inside Dean between Cain's mark, the parasite, the monster, and his profound bond with Castiel, expressed into words in his confession.

There a little clues foreshadowing the end of the season and how they will be erasing the mark.

I hope you like this, see you in the next one!

Tagging @metafest @magnificent-winged-beast @emblue-sparks @weirddorkylittlediana @michyribeiro @whyjm @legendary-destiel @a-bit-of-influence @thatwitchydestielfan @misha-moose-dean-burger-lover @lykanyouko @evvvissticante @savannadarkbaby @dea-stiel @poorreputation @bre95611 @thewolfathedoor @charlottemanchmal @neii3n @deathswaywardson @followyourenergy @dean-is-bi-till-i-die @hekatelilith-blog @avidbkwrm @anarchiana @dickpuncher365 @vampyrosa @foxyroxe-art @authorsararayne @anonymoustitans @mybonsai1976 @love-neve-dies @wildligia @dustythewind @wayward-winchester67 @angelwithashotgunandtrenchcoat @trashblackrainbow @deeutdutdutdoh @sadpotato00 @destiel-shipper-11 @larrem88 @charmedbycastiel @ran-savant @little-crazy-misha-minion @samoosetheshipper

@shadows-and-padlocked-hearts @mishtho @dancingtuesdaymorning @nerditoutwithbooks @mikennacac73 @justmeand-myinsight @idontwantpeopletoknowmyname @tenshilover20 @teddybeardoctor @pepevons @helevetica @isthisdestiel @dizzypinwheel @jawnlockwinchester @horsez2 @qanelyytha

@imjuatkipping @destielle

If you want to be added or removed from this list just let me know.

If you want to read the previous metas From this season, here you have the links:

Vol. LI, LII, LIII, LIV, LV, LVI, LVII.

Buenos Aires April 21st 2020 8:53 PM

[airenyah]

just watched that episode 'the song remains the same' and honestly I have a few things, imagine if Anna actually called Cas rather than Uriel, what are the implications of that happening and that would have played out very differently, also makes me sad because in classic spn (s1-5) Dean got the ending he wanted (yes I ship destiel as the next person but at that time, he was a different person from s10 (where I stopped watching - I can't say for s15, but judging on here he's a very 1/?

person as well). And then in s15 (which I've only seen the last episode of) he dies, and it's like - the whole point of his character was to survive and to live the apple pie life, like at the end of the day THAT IS WHO HE IS. Anyhow it makes me sad that when I watch s15 for the first time (I'll stop at Misha's physical last episode) that he didn't get that. That's why I feel for long term Dean fans because that was what happened, and I don't understand how even Kripke thought it was a good 2/?

idea considering he gave him a happy ending in s5. 3/3

ohhhh wait, are we talking anna calling present time!cas or 1978!cas? because if i remember correctly (sorry i didn’t bother rewatching the ep for this ask) anna calls uriel and asks him to kill the winchesters, right? and i think it’s fairly obvious that present!cas would absolutely not have gone through with that, buuuuut 1978!cas however.... 1978!cas who didn’t know the winchesters, didn’t know dean yet.... now THAT’s raises an interesting question 🤔

re: and it's like - the whole point of his character was to survive and to live the apple pie life

my god YES!!!! the other day i was rewatching 8x14 and there is this whole bit:

Dean: We've been down roads like this before, man – with Yellow-Eyes, Lucifer, Dick friggin' Roman. We both know where this ends – one of us dies... Or worse.

Sam: So, what – you just up and decided it's gonna be you?

Dean: I'm a grunt, Sam. You're not. You've always been the brains of this operation.

Sam: Dean—

Dean: And you told me yourself that you see a way out. You see a light at the end of this ugly-ass tunnel. I don't. But I tell you what I do know – it's that I'm gonna die with a gun in my hand. 'Cause that's what I have waiting for me – that's all I have waiting for me. I want you to get out. I want you to have a life – become a man of Letters, whatever. You, with a wife and kids and – and – and grandkids, living till you're fat and bald and chugging Viagra – that is my perfect ending, and it's the only one that I'm gonna get. So I'm gonna do these trials. I'm gonna do them alone – end of story. You're staying here. I'm going out there. If landshark comes knocking, you call me. If you try to follow me, I'm gonna put a bullet in your damn leg. 

and it’s just. so goddamn infuriating in the light of the finale. tell me, does this not demand that he does in fact find a light at the end of the tunnel? you’d expect a character who constantly goes on about how they’re gonna go out guns blazing, who doesn’t see any value in themselves, who doesn’t think they deserve to be saved,... you’d think the whole point of a character like that would be the growth that comes from realizing that they actually do have value and that their life is worth living. and for dean that would be especially after they defeated chuck. but oh wait--, this is supernatural where we can’t have nice things, right (character development? what’s that?)

i can’t say much post S9 because i haven’t watched S10-13 since they aired and while i did catch up on the last two seasons over the past year, they didn’t really stick in my memory (apart from the final 3 eps) soooo i don’t remember much buuuut there was this in 13x23:

Dean: Hey, you remember... remember when you asked if we could stop it? All the evil in the world?

Sam: Yeah.

Dean: If we could... really change things? Well, maybe with Jack, we can.

Sam: Maybe you're right. But then what will we do?

Dean: Mm. Yeah. This. (holds up a beer) A whole lot of this. But on a beach somewhere, you know? Can you imagine? You, me, Cas, toes in the sand, couple of them little umbrella drinks. Matching Hawaiian shirts, obviously. Some hula girls.

Sam: You talking about retiring? You?

Dean: If I knew the world was safe? Hell, yeah. And you know why? 'Cause we freaking earned it, man.

and i think there might have been some more scenes where dean expresses similar sentiments (like the one from 10x16 in the confession booth about not wanting to die and wanting to experience things differently or for the first time)? i don’t really remember, i’ll know once I get there on my big spn rewatch I’m currently doing. and it’s just. how does it make any sense for the show to end with dean not getting to finally find happiness in life on earth and grow old. i don’t understand. 

although i’m not sure i agree with you on the s5 ending being a happy ending for dean. i think it’s more bittersweet than happy. i mean, yes, dean does tell lisa that the happiness he pictures includes her, but we also learn this in chuck’s voice-over at the end of swan song:

Chuck: Every part of him, every fiber he's got, wants to die, or find a way to bring Sam back. But he isn't gonna do either. Because he made a promise.

he’s outright suicidal after sam jumps into the cage. and honestly, i’m not entirely sure if dean actually would have showed up at lisa’s door if sam hadn’t made him promise. this bit from 6x01 also reinforces that for me:

Bobby: [Y]ou got out, Dean! You walked away from the life. And I was so damn grateful, you got no idea.

Dean: Do you have any clue what walking away meant for me?

Bobby: Yeah -- a woman and a kid and not getting your guts ripped out at age 30. That's what it meant.

Dean: That woman and that kid -- I went to them because you asked me to.

Bobby: Good.

Dean: Good for who? I showed up on their doorstep half out of my head with grief. God knows why they even let me in. I drank too much. I had nightmares. I looked everywhere. I collected hundreds of books, trying to find anything to bust you out.

yes, i think dean liked lisa enough and i don’t think he necessarily minded staying with her but i also think he was more drawn to the idea and the apple pie life that she represented. the “getting out” of the life. but dean hates getting non-hunters involved in the life and he also hates himself and the mess he is so i think dean might have wanted to spare lisa the trouble and would probably have stayed away if sam hadn’t asked him to go find her

[jensensitive]

(7x04)/(13x04)

DEAN

Right. Eh... I'll do another.

BARTENDER

Love life or job? Two quick doubles, it's something. I'm Mia, by the way.

DEAN

Well, Mia, that is a complex question. I'm Dean, by the way.

MIA

Well, Dean, luckily I'm like a captive shrink with unlimited alcohol. So, shoot.

DEAN laughs again.

DEAN

You like to hear people's problems, do ya?

MIA

I get curious. On occasion.

MIA pours another drink for DEAN and one for herself.

DEAN

Work thing. Since you asked. You ever, uh... You ever do something behind someone's back because you had to?

MIA

Now you feel bad? Well, Dean, if you had to, why feel guilty? That doesn't make any sense.

DEAN

Hmm.

They clink glasses.

DEAN

Well, you know, we don't have enough room for the worms if we pop that can, sister.

[....]

EXT. OUTSIDE NEAL’S TAVERN – NIGHT

DEAN

It's been a while. But you owe yourself. It's nothing but a ground ball – you just got to put your mitt down. You are Dean Winchester. This is what you do.

--

a few things

1- this is a couple episodes after Cas dies in s7

2- note the bartender’s name and that she compares herself to a shrink

3- on the surface, this episode deals with Dean’s guilt over killing Amy and getting Jo killed, under the surface it’s about Cas, as proven in later episodes when the amy stuff comes out and he’s still fucked up “You ever think he’s going through the same motions, but he’s not the same dean.” The therapy in 13x04 also has cas in the negative space, I mean he’s literally in the empty [space] of the episode so

4- both episodes end with dean in a dark place and sam in the more optimistic role (though in 13x04 he’s put there by dean “I need you to keep the faith”), but a big difference between the two episodes is that 7x04 has dean lying to sam and the weight of that guilt, while 13x04 is more about dean lying to himself and he’s honest with sam in the end

5- in 7x04, Dean here tries to convince himself that sleeping with random women is what he does, while sam in 13x05, while trying to get dean to go to a strip club, says who dean is and what dean does is that he believes in things, he believes in people (oh hey possible 10x16 confession scene callback on top of that cool cool cool cool it’s fine i’m cool)

6- As in 7x04, dean is faced with a ghost of his past to address his guilt in s13 (charlie), how his guilt remains even though he got his revenge, but in 7x04, the osiris thing is about being sentenced to death if you feel guilty in your heart, which is basically like revenge on yourself (and obviously also a suicide metaphor)

anyway i feel like i’m gonna be comparing dean’s s7 and s13 grief arcs forever, and never get over them lmao

[tinkdw]

One thing I noticed on my rewatch is that in 10.08 Dean refuses to talk to Jody about being a demon or trying to kill Sam. But from what we know of 13.03 he has a long conversation with her, mainly about Cas. Meaning losing Cas hurts worse than becoming a Knight of Hell and trying to kill SAM! I can't even form a coherent response at this point

I mean…. ok? But there are a few issues I have with this…

- We don’t KNOW that he has a long conversation about Cas with Jody in 13x03. This is an assumption and speculation.

- Anything that happens post 12x22 is post Dean’s climax of emancipation, which could also have easily been set up to happen in season 10 after the whole 10x16 confession scene. The 10x08 scene could have been a reminder of Dean’s negative “early version of himself” not talking about it etc precisely to be subverted later into his emancipation with a scene/episode similar to 12x22.

- I dislike any comparison of Dean’s feelings for Sam and Cas. The whole point is that they shouldn’t be compared and are intrinsically, deeply different.

We must remember that the show is an ongoing work in progress, things ebb and flow and go up and down. Some themes have been addressed at different points and some then also do get re-subverted, like Mark of Cain Dean or reverse-codependent Sam in s10. 

So yeah, I’m not personally going to say that this is how I see it, it’s not all about Destiel. Dean’s actions moving forwards after 12x22 will be really exciting to see because in theory post 12x22 we should see him act differently to before, letting his other side out, the side that was beneath the facade and steeped in all the pain he was harbouring that he addressed… but I’m really hoping that we get a flip of this all the way back to his darkest dark side first, to REALLY prove the flip when it happens!

But yeah, I really can’t personally say we can compare the two as Dean is in a very different place at this point and anyway I dislike the comparison of Dean’s feelings for Sam and Cas as they are totally different feelings, parent/brotherly and romantic, they are just not comparable and that’s kind of the point the show is making and we should see coming to the fore front in season 13.

[elizabethrobertajones]

I feel you with that post, Lizzy. I watched the first 3 seasons not being a Dean OR and Sam-fan, having moments of both liking them and disliking them depending on the episode. Without interesting side-characters I would have stopped watching after a few episodes. It wasn't until Cas came along until actually latched unto a char as a fan, but just Cas in a vacuum or with just the Winchesters? Nah, man. It's everyone else that makes the show's universe interesting.

Yeah, the show’s whole strength is in the character dynamics and stories, and they just don’t WORK if you ignore or don’t care about the other characters who shape them. I think there’s a token care about some of the safest options for card carrying family members like Bobby, Ellen, maybe John if we’re going old school family dynamics from the first 3 seasons and wondering who is allowed in… 

Like, I LOVE rewatching season 1, 2 and 3, but their lives seem so empty. Like not to be trite about it but yay for the apocalypse, bringing Cas into their lives, and forcing them into much closer and constant with Bobby (who was quite on the edges in the first 2 seasons he was properly in even if he was in a fair number of season 2 & 3 episodes as one of the only other reoccurring characters) and yay for all the random characters who were a part of their lives, even if in the first couple of seasons it IS just the one offs who are kind or have a fling with them or spend an episode along with them on a hunt… 

When  you have main main characters, the side characters are the mirrors that tell us more about the main characters than they could ever get out of each other, even if it’s just plain BOREDOM or routine. Seeing them interact with someone new forces them to explain who they are to another person, literally or metaphorically. Even if they stay in character as FBI most of the episode, a GOOD dynamic will still wring something out of them. 

Like, I really feel Sam and Dean are built by WHO ELSE they know and care about aside from each other, and we take the brotherly love as given but that also means there’s a massive character development rut there, which is how we end up with stuff like Sam repressing something major about how he feels about their dynamic for like eight years, or performing Dean lasting on and on and on because when they’re side by side ALL the time they’re not developing.

I just watched 10x16 with my mum the other night and I think it serves as a good example via bad writing. There’s 2 sideplots which take up screen time away from Sam and Dean (the ghost backstory and a lengthy Crowley and Rowena chunk) and then the ghost doing things in the main part of the MotW set up, so Sam and Dean pretty much just show up about 10 minutes into the episode for the first time, having a brief exchange to justify working the case and to explain how they’re in a rut with the Mark of Cain, then they roll up in FBI gear, asking questions. They’re absolutely just walking through their job with their eyes closed and we don’t even have motel scenes, just them hanging around the church the entire time - the only real conversation between them after that is the one in the car going HOME where they confirm they’re still in a rut on the Mark. So, they literally do not have a private or revealing moment or even any scene to play with their dynamic. What we GET is Dean betraying some emotion in front of Sam when talking to the (living) nun, and Dean alone in the confessional spilling everything bouncing off the priest in an environment designed to be a no judgement private talk zone to unburden, aka the writers’ dream location to get some character stuff down. Sam’s response to Dean in this episode boils down to: you said some telling stuff to the nun, and you were in the confession booth a long time. ALL he gets from Dean is what he can see with Dean interacting with OTHERS, not himself. And it helps move his understanding of the boring season-long rut they’re in with the Mark of Cain on a little bit. 

Obviously that’s a very simple easy ~crayons on a giant piece of construction paper diagram~ example and other episodes are waaaay more nuanced, but it explains the mechanics of how to use other characters to develop your mains and how they’re stuffed without them :P

[jordm]

A Long Shot Review

A LONG SHOT

Heartland Episode 10x16 Review

Ty

Jumping to the end of the episode, we find out through Georgie that Ty is expected home TOMORROW! Flash to Mongolia and we see that Ty and Bob are finally packing their bags to head home, except… Ty collapses. When Bob investigates as to why he collapsed, he finds a worm in his neck. Bob manages to get it out, but its clear that Ty is still sick.

As nice as it is to see Ty insist he get home to Amy, it is clear (and yes, I am taking Bob’s side on this) that he should stay another few days as Ty is still clearly not well enough to fly, and like he mentioned- he wouldn’t even be allowed to fly. In the beginning, Bob gives in to Ty, but when Ty continues to cough Bob turns around.

 In the end of the episode, Amy is calling Cassandra about her and Caleb being here for a welcome home party for when Ty gets back, when she gets a call from “Ty,” only it turns out to be Bob. Bob tells Amy that Ty is sick and that he is taking care of him, and will put Ty on the next plane when he’s better. I can almost feel Amy’s pain, especially when Bob tells her that he’s been hiding his sickness from her for the past few days.

What I am wondering, is why Bob didn’t take Ty to a nearby hospital? Were they that much in the middle of nowhere there was nothing nearby? Surely, a Mongolian hospital would have been better since they might know better.

Anyways, it looks like Ty gets rushed into a local Hudson hospital next episode (for the full description of the promo see NEXT TIME ON), so it looks like he does get back in one piece… more or less. What we don’t know is how he gets back or how sick he truly is. I can’t wait to find out!

Jack’s Secret

To start, Amy saw an article on Jack Bartlett and asked her (Claire) why she had such article. At first, Claire only confesses that she knew Jack when she was little. After some prodding, we see Claire and Jack talking, and Jack mentioning a “rodeo”, “an accident”, further mentioning that after such accident, her mom didn’t want to have to do anything with the rodeo. So far so good, looks like our predictions are on point!

Later on though, like we suspected, we find out that he’s actually not her father but… like we ALSO thought, he was paying because he felt he owed her…

Long story short: Gil (her actual father) and Jack were close on the rodeo circuit, and they even talked about quitting to go to ranching. Until Gil got on a hot streak and was due for a huge payout, so he kept on going. Then in one draw, Jack draws this horse that is known for being super aggressive on the circuit. Jack passes, thinking that its not worth it, so such horse goes back into the draw. Gil ends up drawing up and that’s what ends up ending his life. Consequently, Jack felt like he had to provide for her family, partially blaming himself for his death.

I understand why Jack feels partially responsible but what he doesn’t know is that he might have been the one that ended up dead. It could have been the other way around, and that really wouldn’t have been much better. However, I do also understand that no matter he tells himself its not his fault, it’s still going to haunt him and I’m glad Jack did help provide for their family seeing how well Claire turned out (it is also really such a Jack thing to help others)

Those Hooligans

In the beginning, those stupid hooligans who shot them with paint guns. Those poor horses- scared to death and now their nice clear fur coats are ruined. Most of the horses were spooked, however only one jumped the fence- that being Phoenix, obviously.  When they called the police, they gave the response I expected; then again I’m not sure what they can actually do.

However, when Georgie asked Adam to help by asking her father and they found out other ranches were targeted, it looks like they finally took it seriously… AND they caught the hooligans! Further more, it allowed Georgie and Adam to talk as they tried to find Phoenix-  as well as leading to Mitch and Tim working together (see more below).

One last comment… Amy can sure run when pregnant.

Mitch and Tim

Let me start by saying that wow, that was a weird heading to write. How often do I get to write that? Anyways, like I’ve said before, I just really wish we got to see Mitch in NYC with Lou. I think that would’ve been a great plot line, as well as it would have been hilarious to see how Mitch does in NYC (he must’ve looked like a fish out of water), while also giving us the opportunity to learn about how the Maggie’s NYC venture is going.

I thought it was hilarious how Tim found out, and then inserted himself into working and being with Mitch the whole day. At first I wondered what Tim’s angle was with taking out the wire from the tractor, then it became clear by the end of the episode he was only doing to Mitch what Jack did to Tim all these years ago. These “traditions” never cease to amaze me.  

Seeing Tim compare Mitch to Peter was strange considering the fact that Tim never really warmed up to Peter. And while I understand that he’s still super protective, and it is his personality in a way, I do think that now that Lou is now a grown adult with children and hence I do think maybe he should try to be less protective. I don’t see this changing though. In the end, Mitch stood up to Tim and eventually gained his respect, even to the point where Tim gave Mitch the nickname “Trooper”, that being one of a horse Tim respected back in the day. Well done Mitch!

Georgie

It was nice to see Georgie confiding in Jack while they were out looking for Phoenix. I get the feeling that Jack is the person she confides in the most since her parents are so often out, which is actually kind of unfortunate. 

When Georgie reached out to Adam to get his father on the case, they both end up out looking for Phoenix together. We find out that they both still like each other, yet Adam doesn’t want to get together with Georgie just yet, deciding to be friends. I do support this decision as I think both of them need to be sure that they want to get together before they officially do. I don’t want to see their relationship yo-yo back and forth like Amy and Ty’s did.

Loose Ends

* It was really nice to see Amy working with horses and solving client’s horses problems again! How long has it been? Since last season from before when she was pregnant?

* It was also cool to see Remi walking around in the background in scenes. Made it seem more real, and also more natural.

* So since we know they are dressed up in the next episode (or the next one), are they dressed up for Ty’s welcome home (from the hospital party)? Or Cass and Caleb’s wedding?

Next Time on Heartland

For those who didn’t see it, we see Ty rushed in an ambulance to a Hospital. We then see Amy rushing down the halls, then Jack then Georgie. Cut to shots of Ty looking really sick in the hospital bed and Amy lying next to him (YES, IN PERSON, IN THE SAME SCENE) and saying “I’ve missed you so much.”

Songs in this Episode

They didn’t list the songs in the credits for this episode for whatever reason, but the last song was Fall to Pieces by Hilary Grist. (cc @heartlandians​)

[orionsangel86]

Season 13 Wishlist

Here we go, following on from last years Season 12 Wishlist, this is a post of all the things I would like to get out of Season 13 of Supernatural! With less that 1 week to go before the season premier. I don’t think I did too badly with the things I wanted from Season 12, here’s hoping Season 13 will be everything we are all hoping it will be.

1.    My 'Dean coming out’ episode idea. SO badly. I will continue to desperately pray to the fandom gods for this idea to somehow make it into the show. We need Dean out of the closet in season 13. I want this more than ANYTHING else.

2.    The shedding of Dean’s ‘performance mask’ for Sam. This idea comes backed with thousands of words of meta on the topic and is a big one. Because of what we got in 12x22. I would like the continuation of this in the show (also seemingly something we may get following the symbolism of THIS from the promo.) I just want Sam to finally see it too. Maybe get a confession of some kind from Dean to Sam.

3.    The continuation of Pining!Dean that we had heavily in season 11. Moments like Dean’s confession in 10x16, Sam’s speech in 11x04, Basically everything in 11x11…Follow your heart Dean… Yeah, I want more of this.

4.    Castiel completing his transformation arc. This is important as we need to be able to see clearly where Cas’s story is going. Following his death I want to see the metaphorical phoenix rising from the ashes (and igniting the flames of Luuurrrvve) lol. What WOULD be cool is actually getting a MOTW story with an actual Phoenix since we know they exist and the symbolism would be beautiful. But basically I want the return of BAMF Cas being able to hold his own against the bad guys and beating his depression and PTSD once and for all.

5.    Cas facing himself in the Empty and admitting some home truths. Like how he is in love with Dean and wants to be human? Anything that finally starts answering the questions that Cas has had thrown his way since season 8. Cas’s whole story built around this idea of “what are you Castiel, an Angel or a Man?” and “Crack in his Chassis” and everything else that leads to the inevitable decision to shed the chains of heaven and freely let go of his grace for a human life that the show has been building on for ACTUAL YEARS.

6.    An explanation for what happened to Cas at the end of 12x19 that makes sense. I really hope that we do find out what Jack did to Cas, because he definitely did something, and all the symbolism and narrative mirrors point to Jack taking control (however briefly) but we certainly didn’t get any answers before season 12 ended.

7.    Sam Winchester building relationships outside of Dean. I need this for Sam so badly. I want to see him become his own man, to continue to do what he did in 12x22 – stepping out of his brother’s shadow and leading the hunters to victory. Sam is a natural leader, he just hasn’t realised it all these years. I want Sam to find a true purpose in life and pursue that. Whether that be by continuing to form relationships with other hunters or by taking Jack on as an apprentice and devoting his time to shaping Jack into the polar opposite of Lucifer – which would be truly poetic given Sam’s history.

8.    Sam Winchester killing Lucifer once and for all – again a big one for me. I am done with Lucifer and want him dead. I think that the only person who truly should get the pleasure of killing Lucifer is Sam. With the help of Cas and Jack. I want Lucifer dead by season end.

9.    Eileen’s return – her death made NO SENSE and was extremely poorly executed. She is sadly another Charlie but this time she deserves redemption from that shitty excuse for an episode. For Sam’s sake as well, I desperately want her back.

10.  The total annihilation of the toxic co-dependency – Already basically covered above, but it’s important enough to need its own point. I think we now need an episode that specifically shows how it is destroyed. We need to see the brothers NOT doing stupid shit like selling their souls for each other or taking a bunch of pills just to speak to a reaper to try to bargain for your brothers life, or just generally making terrible choices with horrible consequences to save your brothers life. We NEED an episode where the opposite happens.

11.  For Mary Winchester to get a strong and interesting storyline, to realise how her deal was actually a best case scenario given the circumstances of the AU world, and to come to terms with her new life outside of heaven. I do hope that now she has fulfilled her purpose for Dean, they will give her a chance to work on her relationship with Sam, and being stuck in the AU world should relieve some of that guilt, so that when she does return she will be in a better place.

12.  Some fun Winchester family moments – it would be nice to get even a few small moments of Winchester family bonding – brother pranks – talks with mum – More “teachable moments” with Cas – just the occasional canon fluff scene since WE ALL WANT IT.

13.  WAYWARD SISTERS – I mean hells yes! I don’t really have much on the wishlist for them other than I hope they kickass and are undeniably awesome and PICKED UP FOR A SPINOFF BY THE NETWORK.

14.  Dean and Claire to have a conversation about Cas’s death – PLEASE SHOW! Give me Claire grieving over Cas! PLEASE!

15.  Jody actually getting the truth out of Dean about his feelings for Cas. I would give anything for this conversation to be an actual thing.

16.  It probably goes without saying but MAN PAIN OVER CAS – I mean, I reckon we are gonna get a good helping of this. Maybe not immediate tears but its gonna be pretty damn angsty – if the promo’s are anything to go by. I basically want it to be UNDENIABLE in canon that CAS is the reason that Dean is so broken up and that BOTH brothers are seriously struggling with his death. It has to be OBVIOUS how important Cas was to them and how his death has affected them.

17.  The return of the mixtape. BRING BACK THE MIXTAPE

18.  DESTIEL – Duh. Do I wish for canon destiel? Every. Single. Year. This one will be no different. Of course I want it. I want a love confession (that isn’t ambiguous). I want a kiss. I want a scene where it fades to black only to show them lying in Dean’s bed the next morning doing the whole pillow talk thing. Give me ALL THE DESTIEL.

19.  Bring back Rowena. She didn’t deserve that ending. It was worse than Eileen’s. They better bring her back.

20.  Bring back Death and Billy – I kinda still think it would be cool if Cas sees them both in the empty and brings them back with him – even if it doesn’t fit thematically with his story.

21.  Cas dressed in anything other than the suit and trenchcoat (what can I say…Misha is a fine specimen of a man and does not deserve to be hidden under ill fitting clothing – I really hope the D&G suit is from the show!)

22.  Cas on generic MOTW hunting episodes – ever since Hunteri Heroici I NEED THIS.

24.  Witch!Sam - Every year I hope they pick up this story idea and every year they let me down. Let season 13 be that year!

23.  Easter Bunny episode – For Lizbob and Mittens :P

That’s it so far. Feel free to add on your own wishlist ideas that I may not have covered! Bring on the season 13 premier! Woop!